BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Oakland Asian Cultural Center - ECPv6.17.5//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://oacc.cc X-WR-CALDESC:Events for Oakland Asian Cultural Center REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Los_Angeles BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20170312T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20171105T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20180311T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20181104T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20190310T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20191103T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20200308T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20201101T090000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20180927T173000 DTEND;TZID=America/Los_Angeles:20180927T203000 DTSTAMP:20190404T152903Z CREATED:20180718T185809Z LAST-MODIFIED:20190404T152903Z UID:4578-1538069400-1538080200@oacc.cc SUMMARY:2018 Chinatown Mayoral & District 2 Candidate’s Forum DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/oakland-chinatown-coalition-candidates-forum/ LOCATION:CA CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20180930T130000 DTEND;TZID=America/Los_Angeles:20180930T160000 DTSTAMP:20190404T152857Z CREATED:20180906T231650Z LAST-MODIFIED:20190404T152857Z UID:4769-1538312400-1538323200@oacc.cc SUMMARY:Mountain Spirits MUSIC & DANCE PERFORMANCE / FILM SCREENING / TRUNK SHOW DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/mountain-spirits-music-dance-performance-film-screening-trunk-show/ LOCATION:CA CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20181005T180000 DTEND;TZID=America/Los_Angeles:20181005T180000 DTSTAMP:20190404T152849Z CREATED:20180906T231523Z LAST-MODIFIED:20190404T152849Z UID:4765-1538762400-1538762400@oacc.cc SUMMARY:The Hinabi Project:  Weaving Peace and Dreams ~ Textile Arts of Mindanao DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/the-hinabi-project-weaving-peace-and-dreams-textile-arts-of-mindanao/ LOCATION:CA CATEGORIES:Past Exhibitions END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20181013T190000 DTEND;TZID=America/Los_Angeles:20181013T220000 DTSTAMP:20190429T224144Z CREATED:20181001T220038Z LAST-MODIFIED:20190429T224144Z UID:4820-1539457200-1539468000@oacc.cc SUMMARY:Silindro Pilipino Project DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/silindro-pilipino-project/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/04/CZ-Silindro-Pilipino-May-5th-small-web-card.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20181014T080000 DTEND;TZID=America/Los_Angeles:20181014T170000 DTSTAMP:20190404T152704Z CREATED:20181001T220326Z LAST-MODIFIED:20190404T152704Z UID:4825-1539504000-1539536400@oacc.cc SUMMARY:Free Kidney Disease Screening DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/free-kidney-disease-screening/ LOCATION:CA CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20181014T180000 DTEND;TZID=America/Los_Angeles:20181014T200000 DTSTAMP:20190429T223723Z CREATED:20181001T222004Z LAST-MODIFIED:20190429T223723Z UID:4841-1539540000-1539547200@oacc.cc SUMMARY:Women of World Dance Show DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/women-of-world-dance-show/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2018/10/OACC-Lataniashowflyer1-1-791x1024-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20181024T183000 DTEND;TZID=America/Los_Angeles:20181024T203000 DTSTAMP:20190429T224040Z CREATED:20181001T221353Z LAST-MODIFIED:20190429T224040Z UID:4835-1540405800-1540413000@oacc.cc SUMMARY:Book Talk: America is Not the Heart DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/america-is-not-the-heart/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2018/10/elaine.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20181102T180000 DTEND;TZID=America/Los_Angeles:20181102T210000 DTSTAMP:20190404T152544Z CREATED:20181023T195436Z LAST-MODIFIED:20190404T152544Z UID:4889-1541181600-1541192400@oacc.cc SUMMARY:Kusinang Pilipino Culinary Experience DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/kusinang-pilipino-culinary-experience/ LOCATION:CA CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20181108T173000 DTEND;TZID=America/Los_Angeles:20190116T210000 DTSTAMP:20190520T205540Z CREATED:20181026T222546Z LAST-MODIFIED:20190520T205540Z UID:4937-1541698200-1547672400@oacc.cc SUMMARY:Crossing Boundaries: Calligraphies In Conversation DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/crossing-boundaries-calligraphies-in-conversation/ LOCATION:CA CATEGORIES:Past Exhibitions END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20181118T160000 DTEND;TZID=America/Los_Angeles:20181118T200000 DTSTAMP:20190404T151616Z CREATED:20181101T211231Z LAST-MODIFIED:20190404T151616Z UID:4985-1542556800-1542571200@oacc.cc SUMMARY:Oakland Asian Cultural Center Friendsgiving Potluck DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/oakland-asian-cultural-center-friendsgiving-potluck/ LOCATION:CA CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20181130T180000 DTEND;TZID=America/Los_Angeles:20181130T200000 DTSTAMP:20190404T151558Z CREATED:20181115T231101Z LAST-MODIFIED:20190404T151558Z UID:5043-1543600800-1543608000@oacc.cc SUMMARY:"Hapa Tales and Other Lies" at Oakland Asian Cultural Center DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/hapa-tales-and-other-lies-at-oakland-asian-cultural-center/ LOCATION:CA CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20181130T183000 DTEND;TZID=America/Los_Angeles:20181130T183000 DTSTAMP:20190429T224930Z CREATED:20181101T211610Z LAST-MODIFIED:20190429T224930Z UID:4987-1543602600-1543602600@oacc.cc SUMMARY:Crossing Boundaries - An Evening of Cuisine\, Calligraphy and Ceramics DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/crossing-boundaries-an-evening-of-cuisine-calligraphy-and-ceramics/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2018/11/Dinner-1-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190112T090000 DTEND;TZID=America/Los_Angeles:20190112T180000 DTSTAMP:20190404T151518Z CREATED:20181209T202811Z LAST-MODIFIED:20190404T151518Z UID:5131-1547283600-1547316000@oacc.cc SUMMARY:Imagine Talks 2019 DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/5131/ LOCATION:CA CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190115T180000 DTEND;TZID=America/Los_Angeles:20190115T200000 DTSTAMP:20190404T151423Z CREATED:20190108T194607Z LAST-MODIFIED:20190404T151423Z UID:5275-1547575200-1547582400@oacc.cc SUMMARY:The Art of Sho - Calligraphy Workshop DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/5275/ LOCATION:CA CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190120T120000 DTEND;TZID=America/Los_Angeles:20190120T130000 DTSTAMP:20190404T151404Z CREATED:20190115T222925Z LAST-MODIFIED:20190404T151404Z UID:5311-1547985600-1547989200@oacc.cc SUMMARY:San Francisco Chamber Orchestra Music of the Americas DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/san-francisco-chamber-orchestra-music-of-the-americas/ LOCATION:CA CATEGORIES:Past Events ORGANIZER;CN="San Francisco Chamber Orchestra":MAILTO:Info@TheSFCO.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190120T140000 DTEND;TZID=America/Los_Angeles:20190120T170000 DTSTAMP:20190404T151344Z CREATED:20181210T183839Z LAST-MODIFIED:20190404T151344Z UID:5064-1547992800-1548003600@oacc.cc SUMMARY:Documentary Film 'My Odyssey – Between Two Worlds' DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/documentary-film-my-odyssey-between-two-worlds/ LOCATION:CA CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190127T043000 DTEND;TZID=America/Los_Angeles:20190127T183000 DTSTAMP:20190404T151324Z CREATED:20181211T234933Z LAST-MODIFIED:20190404T151324Z UID:5179-1548563400-1548613800@oacc.cc SUMMARY:Book Launch: ‘Last Boat Out of Shanghai: The Epic Story of the Chinese Who Fled Mao's Revolution’ DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/book-launch-last-boat-out-of-shanghai-the-epic-story-of-the-chinese-who-fled-maos-revolution/ LOCATION:CA CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190206T180000 DTEND;TZID=America/Los_Angeles:20190206T200000 DTSTAMP:20190404T163739Z CREATED:20190130T001133Z LAST-MODIFIED:20190404T163739Z UID:5630-1549476000-1549483200@oacc.cc SUMMARY:Story Circle with Bonnie Kwong DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/story-circle-with-bonnie-kwong-2/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/03/headshot-FTRD.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190209T140000 DTEND;TZID=America/Los_Angeles:20190209T160000 DTSTAMP:20190404T151151Z CREATED:20190123T024156Z LAST-MODIFIED:20190404T151151Z UID:5401-1549720800-1549728000@oacc.cc SUMMARY:"442" Booktalk with Authors DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/442-booktalk/ LOCATION:CA CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190210T110000 DTEND;TZID=America/Los_Angeles:20190210T150000 DTSTAMP:20190404T151131Z CREATED:20181115T220700Z LAST-MODIFIED:20190404T151131Z UID:5025-1549796400-1549810800@oacc.cc SUMMARY:OACC Annual Lunar New Year Celebration DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/oacc-annual-lunar-new-year-celebration/ LOCATION:CA CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190210T110000 DTEND;TZID=America/Los_Angeles:20190210T150000 DTSTAMP:20190429T230818Z CREATED:20190115T214643Z LAST-MODIFIED:20190429T230818Z UID:5303-1549796400-1549810800@oacc.cc SUMMARY:Family Reading Celebration DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/family-reading-celebration/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/01/FamilyReadingCelebEngWebCCheng-1024x791-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190224T150000 DTEND;TZID=America/Los_Angeles:20190224T170000 DTSTAMP:20190404T150359Z CREATED:20190122T235516Z LAST-MODIFIED:20190404T150359Z UID:5371-1551020400-1551027600@oacc.cc SUMMARY:“Hidden Legacy” with Shirley Muramoto DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/hidden-legacy-with-shirley-muramoto/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20190309 DTEND;VALUE=DATE:20190422 DTSTAMP:20190520T205447Z CREATED:20190404T145723Z LAST-MODIFIED:20190520T205447Z UID:6343-1552089600-1555891199@oacc.cc SUMMARY:Immigration Emergency: In Defense & Defiance DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/immigration-emergency-in-defense-defiance/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Exhibitions ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/04/FTRDin_defence_panel_banner_small-1-1024x450.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190310T020000 DTEND;TZID=America/Los_Angeles:20190310T160000 DTSTAMP:20190404T165516Z CREATED:20190123T030052Z LAST-MODIFIED:20190404T165516Z UID:5415-1552183200-1552233600@oacc.cc SUMMARY:Resistance at Tule Lake DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/resistance-at-tule-lake/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Exhibitions ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/01/feedaf7a-8fee-4070-a4bb-9326c84cde3d.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190317T160000 DTEND;TZID=America/Los_Angeles:20190317T183000 DTSTAMP:20190404T165100Z CREATED:20190129T024813Z LAST-MODIFIED:20190404T165100Z UID:5600-1552838400-1552847400@oacc.cc SUMMARY:CHOPIN & CHINA Concert with Pianist Eileen Huang DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/chopin-china-concert-with-pianist-eileen-huang/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/01/image-holder-logo.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190419T183000 DTEND;TZID=America/Los_Angeles:20190419T200000 DTSTAMP:20190423T234224Z CREATED:20190403T140600Z LAST-MODIFIED:20190423T234224Z UID:6317-1555698600-1555704000@oacc.cc SUMMARY:Defend & Defy: A Community Panel Discussion DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/defend-defy-a-community-panel-discussion/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/04/FTRDin_defence_panel_banner_small-1-1024x450.png END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20190429 DTEND;VALUE=DATE:20190603 DTSTAMP:20190627T005831Z CREATED:20190415T183301Z LAST-MODIFIED:20190627T005831Z UID:6416-1556496000-1559519999@oacc.cc SUMMARY:Our Bojagi: Bojagi Artworks from Claire Lilienthal School DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/our-bojagi-bojagi-artworks-from-claire-lilienthal-school/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Exhibitions ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/04/bojagi_poster-FTRD.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190429T190000 DTEND;TZID=America/Los_Angeles:20190429T210000 DTSTAMP:20190430T201949Z CREATED:20190403T135607Z LAST-MODIFIED:20190430T201949Z UID:6309-1556564400-1556571600@oacc.cc SUMMARY:Bonnie Kwong’s Intersectional Theater Project Table Read DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/bonnie-kwongs-intersectional-theater-project-table-read/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/04/Escapery_Oakland-Home-2-1-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190503T180000 DTEND;TZID=America/Los_Angeles:20190503T193000 DTSTAMP:20190515T171848Z CREATED:20190403T142749Z LAST-MODIFIED:20190515T171848Z UID:6326-1556906400-1556911800@oacc.cc SUMMARY:Bonnie Kwong Workshop: ZINE Making DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/bonnie-kwong-workshop-zine-making/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/03/headshot-FTRD.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20190504T160000 DTEND;TZID=America/Los_Angeles:20190504T160000 DTSTAMP:20190508T003724Z CREATED:20190423T004944Z LAST-MODIFIED:20190508T003724Z UID:6477-1556985600-1556985600@oacc.cc SUMMARY:Gongster's Paradise DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/6477/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/04/Gongsters2019-Official-Poster-1.jpg END:VEVENT END:VCALENDAR