BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Oakland Asian Cultural Center - ECPv6.17.5//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Oakland Asian Cultural Center X-ORIGINAL-URL:https://oacc.cc X-WR-CALDESC:Events for Oakland Asian Cultural Center REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Los_Angeles BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20200308T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20201101T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20210314T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20211107T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20220313T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20221106T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20230312T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20231105T090000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220319T160000 DTEND;TZID=America/Los_Angeles:20220319T173000 DTSTAMP:20220320T003928Z CREATED:20220119T012621Z LAST-MODIFIED:20220320T003928Z UID:11751-1647705600-1647711000@oacc.cc SUMMARY:Celebrating Our HeART-filled Heritage: Sri Vidya Dance School DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/heart-filled-heritage-series-sri-vidya-dance/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2022/01/20220319Thumbnail_SVDS.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220218T180000 DTEND;TZID=America/Los_Angeles:20220218T200000 DTSTAMP:20220222T190428Z CREATED:20211214T192445Z LAST-MODIFIED:20220222T190428Z UID:11685-1645207200-1645214400@oacc.cc SUMMARY:"Manzanar\, Diverted: When Water Becomes Dust" Virtual Screening and Talk DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/manzanar-diverted-screening-and-talk/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/12/20220218ManzanarDiverted_Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220213T150000 DTEND;TZID=America/Los_Angeles:20220213T163000 DTSTAMP:20220214T233926Z CREATED:20211203T002446Z LAST-MODIFIED:20220214T233926Z UID:11679-1644764400-1644769800@oacc.cc SUMMARY:Book Talk: "We Hereby Refuse": The Bay Area Allies DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/we-hereby-refuse-bay-area-allies-book-talk/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/12/20220213WeHerebyRefuseBookTalk_Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220212T130000 DTEND;TZID=America/Los_Angeles:20220212T140000 DTSTAMP:20220214T233833Z CREATED:20211130T200122Z LAST-MODIFIED:20220214T233833Z UID:11669-1644670800-1644674400@oacc.cc SUMMARY:Book Talk: Chinese Children's Hats with Terri Wong DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/chinese-childrens-hats-book-talk/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/11/20220212HatsBookTalk_Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220205 DTEND;VALUE=DATE:20220417 DTSTAMP:20220419T174229Z CREATED:20211129T235457Z LAST-MODIFIED:20220419T174229Z UID:11658-1644019200-1650153599@oacc.cc SUMMARY:OACC 2022 Asian Pacific New Year Celebration DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/oacc-apny-2022/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2021/11/general-title-ad.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220205 DTEND;VALUE=DATE:20220417 DTSTAMP:20220419T174237Z CREATED:20210222T194107Z LAST-MODIFIED:20220419T174237Z UID:10397-1644019200-1650153599@oacc.cc SUMMARY:2022 Virtual Community Night Market DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/virtual-community-night-market/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2021/02/2022-apny-vendor-app-open.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220203 DTEND;VALUE=DATE:20220401 DTSTAMP:20220406T003828Z CREATED:20220125T182536Z LAST-MODIFIED:20220406T003828Z UID:11759-1643846400-1648771199@oacc.cc SUMMARY:Lincoln School 2022 Lunar New Year Art Contest Gallery DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/2022-lincoln-school-lny-art-contest/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2022/01/20220203LNYArtContestThumbnail-1.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220201 DTEND;VALUE=DATE:20220301 DTSTAMP:20220302T000956Z CREATED:20210202T021615Z LAST-MODIFIED:20220302T000956Z UID:9894-1643673600-1646092799@oacc.cc SUMMARY:Black History Month Community Events DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/black-history-month-community-events/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2021/02/20220201BlackHistoryMonth.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220129T150000 DTEND;TZID=America/Los_Angeles:20220129T163000 DTSTAMP:20220131T190431Z CREATED:20211129T222237Z LAST-MODIFIED:20220131T190431Z UID:11651-1643468400-1643473800@oacc.cc SUMMARY:Book Talk: "Auntie Sewing Squad Guide To Mask Making\, Radical Care\, and Racial Justice" DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/auntie-sewing-squad-guide-book-talk/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/11/AuntieSewingSquad_Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20211210T183000 DTEND;TZID=America/Los_Angeles:20211210T200000 DTSTAMP:20211211T181519Z CREATED:20211027T204043Z LAST-MODIFIED:20211211T181519Z UID:11604-1639161000-1639166400@oacc.cc SUMMARY:Book Talk: The Wake Up with Michelle MiJung Kim DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/the-wake-up-book-talk/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/10/20211210WakeUp_Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20211120T160000 DTEND;TZID=America/Los_Angeles:20211120T173000 DTSTAMP:20211121T014432Z CREATED:20210929T004555Z LAST-MODIFIED:20211121T014432Z UID:11402-1637424000-1637429400@oacc.cc SUMMARY:"The Shikoku Pilgrimage: Japan's Sacred Trail" Book Talk DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/shikoku-pilgrimage-book-talk/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/09/20211120ShikokuBookTalk_Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20211118T180000 DTEND;TZID=America/Los_Angeles:20211118T190000 DTSTAMP:20211121T014553Z CREATED:20211105T214412Z LAST-MODIFIED:20211121T014553Z UID:11627-1637258400-1637262000@oacc.cc SUMMARY:OACC Friendsgiving: "In The Land of My Ancestors" Film Screening & Discussion DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/friendsgiving2021/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2021/11/Friendsgiving-2021-Instagram-Post-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20211114T130000 DTEND;TZID=America/Los_Angeles:20211114T143000 DTSTAMP:20211114T225617Z CREATED:20211004T210829Z LAST-MODIFIED:20211114T225617Z UID:11292-1636894800-1636900200@oacc.cc SUMMARY:Centering Senior Care and Aging During COVID-19 DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/senior-care-aging-covid-19-panel-talk/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/10/20211114SeniorCareThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20211106T140000 DTEND;TZID=America/Los_Angeles:20211106T153000 DTSTAMP:20211114T225750Z CREATED:20211012T021851Z LAST-MODIFIED:20211114T225750Z UID:11559-1636207200-1636212600@oacc.cc SUMMARY:ILLUMINATION: Literary Works Imagining New Light DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/illumination/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/10/20211106Illumination_Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20211105T173000 DTEND;TZID=America/Los_Angeles:20211105T190000 DTSTAMP:20211106T032745Z CREATED:20210824T232155Z LAST-MODIFIED:20211106T032745Z UID:11209-1636133400-1636138800@oacc.cc SUMMARY:Prints & Protest: The Legacy of Poster Making in Social Justice Movements DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/prints-and-protest-panel-talk/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/08/20211105PrintsAndProtest_Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20211027 DTEND;VALUE=DATE:20211219 DTSTAMP:20211220T192712Z CREATED:20210721T185319Z LAST-MODIFIED:20211220T192712Z UID:11059-1635292800-1639871999@oacc.cc SUMMARY:2021 Chuseok Youth Art Contest Gallery DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/2021-chuseok-youth-art-contest/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events,Past Exhibitions ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/07/2021ChuseokArtContestGallery_Thumbnail.jpg ORGANIZER;CN="Korean Center%2C Inc.":MAILTO:info@koreancentersf.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20211023T130000 DTEND;TZID=America/Los_Angeles:20211023T140000 DTSTAMP:20211023T205256Z CREATED:20210729T192024Z LAST-MODIFIED:20211023T205256Z UID:11103-1634994000-1634997600@oacc.cc SUMMARY:The Case for Cancer Screenings | 癌症篩查的重要性 DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/cancer-screening-panel-talk/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/07/20211023CancerScreeningThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20211015T180000 DTEND;TZID=America/Los_Angeles:20211015T180000 DTSTAMP:20211016T175402Z CREATED:20210806T171717Z LAST-MODIFIED:20211016T175402Z UID:11137-1634320800-1634320800@oacc.cc SUMMARY:25th Anniversary Gala — Lift Up: Change Through Arts & Activism DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/virtual-gala-lift-up/ LOCATION:Online CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2021/08/Instagram-Slide-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20211009T150000 DTEND;TZID=America/Los_Angeles:20211009T163000 DTSTAMP:20211011T212957Z CREATED:20210817T215141Z LAST-MODIFIED:20211011T212957Z UID:11181-1633791600-1633797000@oacc.cc SUMMARY:Gene Luen Yang and Pornsak Pichetshote Write Heroes in APA History Comics DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/apa_history_comics/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/08/20211009ComicBookTalk.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20211002 DTEND;VALUE=DATE:20211218 DTSTAMP:20211220T192655Z CREATED:20210706T234015Z LAST-MODIFIED:20211220T192655Z UID:10999-1633132800-1639785599@oacc.cc SUMMARY:The Art of Protest: 1960s-1970s to Now DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/the-art-of-protest/ LOCATION:Oakland Asian Cultural Center\, 388 9th Street\, Suite 290\, Oakland\, CA 94607\, Oakland\, CA\, 94607 CATEGORIES:Past Exhibitions ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/07/20211001ArtofProtest_Thumbnail.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210930T190000 DTEND;TZID=America/Los_Angeles:20210930T200000 DTSTAMP:20211001T225713Z CREATED:20210817T233316Z LAST-MODIFIED:20211001T225713Z UID:11186-1633028400-1633032000@oacc.cc SUMMARY:"Remembering Shanghai" Book Talk DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/remembering-shanghai-book-talk/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/08/20210930ShanghaiThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210826T190000 DTEND;TZID=America/Los_Angeles:20210826T200000 DTSTAMP:20210929T000131Z CREATED:20210715T202303Z LAST-MODIFIED:20210929T000131Z UID:11043-1630004400-1630008000@oacc.cc SUMMARY:Agni: Virtual Screening & Talk DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/agni-screening-and-talk/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/07/20210826AgniThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210814T160000 DTEND;TZID=America/Los_Angeles:20210814T173000 DTSTAMP:20210815T004456Z CREATED:20210706T235300Z LAST-MODIFIED:20210815T004456Z UID:11005-1628956800-1628962200@oacc.cc SUMMARY:Envision & Enact: Community Thriving DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/envision-enact-community-thriving/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/07/20210814CommunityThrivingThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210725T110000 DTEND;TZID=America/Los_Angeles:20210725T130000 DTSTAMP:20210726T191919Z CREATED:20210709T194205Z LAST-MODIFIED:20210726T191919Z UID:11014-1627210800-1627218000@oacc.cc SUMMARY:FOODLINE: Mapping Our Diaspora from Culture to Conversation DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/foodline/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2021/07/Thumbnail_fullimage_dm.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210722T190000 DTEND;TZID=America/Los_Angeles:20210722T210000 DTSTAMP:20210723T041608Z CREATED:20210603T214453Z LAST-MODIFIED:20210723T041608Z UID:10929-1626980400-1626987600@oacc.cc SUMMARY:ESSENTIAL TRUTHS Anthology Readings - East Bay Showcase DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/essential-truths-east-bay/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/06/20210722Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210709T170000 DTEND;TZID=America/Los_Angeles:20210710T143000 DTSTAMP:20210710T214709Z CREATED:20210503T192550Z LAST-MODIFIED:20210710T214709Z UID:10822-1625850000-1625927400@oacc.cc SUMMARY:MINARI: Virtual Screening & Community Talk DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/minari-screening-and-talk/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/05/20210709MinariThumbnail-1.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20210701 DTEND;VALUE=DATE:20210901 DTSTAMP:20211018T174621Z CREATED:20210603T172918Z LAST-MODIFIED:20211018T174621Z UID:10920-1625097600-1630454399@oacc.cc SUMMARY:Political Inheritance: An Exploration of AAPI Political Agency & Identities DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/political-inheritance/ LOCATION:Oakland Asian Cultural Center\, 388 9th Street\, Suite 290\, Oakland\, CA 94607\, Oakland\, CA\, 94607 CATEGORIES:Past Exhibitions ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2021/06/Instapost.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210626T160000 DTEND;TZID=America/Los_Angeles:20210626T170000 DTSTAMP:20210628T193346Z CREATED:20210512T220829Z LAST-MODIFIED:20210628T193346Z UID:10867-1624723200-1624726800@oacc.cc SUMMARY:Celebrating Our HeART-filled Heritage: Queer Taiko DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/heart-filled-heritage-series-queer-taiko/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/05/20210626Thumbnail_QueerTaiko-1.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210625T180000 DTEND;TZID=America/Los_Angeles:20210625T190000 DTSTAMP:20210628T192924Z CREATED:20210527T180408Z LAST-MODIFIED:20210628T192924Z UID:10914-1624644000-1624647600@oacc.cc SUMMARY:Community Rising DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/community-rising/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/05/06252021Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210612T130000 DTEND;TZID=America/Los_Angeles:20210612T140000 DTSTAMP:20210613T003158Z CREATED:20210414T012809Z LAST-MODIFIED:20210613T003158Z UID:10738-1623502800-1623506400@oacc.cc SUMMARY:Swimming to Freedom Book Talk with Kent and Freddie Wong DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/swimming-to-freedom-book-talk/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/04/20210612SwimmingThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT END:VCALENDAR