BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Oakland Asian Cultural Center - ECPv6.17.5//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Oakland Asian Cultural Center X-ORIGINAL-URL:https://oacc.cc X-WR-CALDESC:Events for Oakland Asian Cultural Center REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Los_Angeles BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20190310T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20191103T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20200308T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20201101T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20210314T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20211107T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20220313T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20221106T090000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20210501 DTEND;VALUE=DATE:20210621 DTSTAMP:20210620T232547Z CREATED:20210303T205247Z LAST-MODIFIED:20210620T232547Z UID:10481-1619827200-1624233599@oacc.cc SUMMARY:Moments of Expression DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/moments-of-expression/ LOCATION:Oakland Asian Cultural Center\, 388 9th Street\, Suite 290\, Oakland\, CA 94607\, Oakland\, CA\, 94607 CATEGORIES:Past Exhibitions ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/03/20210501MomentsThumbnail_v3.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210424T130000 DTEND;TZID=America/Los_Angeles:20210424T143000 DTSTAMP:20210425T014653Z CREATED:20210311T235912Z LAST-MODIFIED:20210425T014653Z UID:10516-1619269200-1619274600@oacc.cc SUMMARY:Fighting for Immigrant and Refugee Rights: Perspectives from Asian American Community Organizing DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/fighting-for-immigrant-and-refugee-rights-panel/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/03/20210424ImmigrationThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210417T150000 DTEND;TZID=America/Los_Angeles:20210417T160000 DTSTAMP:20210420T200659Z CREATED:20210305T195735Z LAST-MODIFIED:20210420T200659Z UID:10494-1618671600-1618675200@oacc.cc SUMMARY:Quarantini Mixer: Afternoon Tea with Malaya Tea Room DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/quarantini-mixer-afternoon-tea/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2021/03/QM4-Thumbnail.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20210412 DTEND;VALUE=DATE:20210418 DTSTAMP:20210420T201157Z CREATED:20210305T202927Z LAST-MODIFIED:20210420T201157Z UID:10405-1618185600-1618703999@oacc.cc SUMMARY:New Year Celebration: South and Southeast Asia DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/oacc-spring-ny-2021/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2021/03/Spring-New-Year-Thumbnail-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210320T160000 DTEND;TZID=America/Los_Angeles:20210320T173000 DTSTAMP:20210518T225916Z CREATED:20201219T235951Z LAST-MODIFIED:20210518T225916Z UID:9136-1616256000-1616261400@oacc.cc SUMMARY:Celebrating Our HeART-filled Heritage: Parangal Dance Company DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/heart-filled-heritage-series-parangal-dance-co/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/12/20210320ParangalThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210313T130000 DTEND;TZID=America/Los_Angeles:20210313T143000 DTSTAMP:20210313T224224Z CREATED:20210211T211035Z LAST-MODIFIED:20210313T224224Z UID:10192-1615640400-1615645800@oacc.cc SUMMARY:Three Coins: A True Story of Kidnappings\, Slavery\, and Romance in San Francisco's Chinatown DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/three-coins-book-talk/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/02/20210313ThreeCoinsThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210222T110000 DTEND;TZID=America/Los_Angeles:20210519T120000 DTSTAMP:20210524T213825Z CREATED:20210127T001117Z LAST-MODIFIED:20210524T213825Z UID:9739-1613991600-1621425600@oacc.cc SUMMARY:預防跌倒平衡太極課程 | Fall Prevention Tai Chi: A 12-Week Series DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/fall-prevention-tai-chi-series-2021/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/01/20210122KCCEBThumbnail-1.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210219T180000 DTEND;TZID=America/Los_Angeles:20210219T200000 DTSTAMP:20210220T203246Z CREATED:20210123T021503Z LAST-MODIFIED:20210220T203246Z UID:9703-1613757600-1613764800@oacc.cc SUMMARY:Quarantini Mixer: Celebrating with Food and Drink DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/quarantini-mixer-celebrating-with-food-and-drink/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2021/01/q3_thumbnail.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20210212 DTEND;VALUE=DATE:20210220 DTSTAMP:20210223T225828Z CREATED:20201223T220618Z LAST-MODIFIED:20210223T225828Z UID:9120-1613088000-1613779199@oacc.cc SUMMARY:OACC 2021 Lunar New Year Celebration DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/oacc-lny-2021/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2020/12/02_insta_std-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20210209 DTEND;VALUE=DATE:20210301 DTSTAMP:20210312T183140Z CREATED:20210131T063047Z LAST-MODIFIED:20210312T183140Z UID:9168-1612828800-1614556799@oacc.cc SUMMARY:Lincoln School 2021 Lunar New Year Art Contest DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/virtual-lincoln-school-lny-art-contest/ LOCATION:CA CATEGORIES:Past Exhibitions ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2021/01/20210209ArtContestThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210122T180000 DTEND;TZID=America/Los_Angeles:20210122T190000 DTSTAMP:20210123T205612Z CREATED:20201110T190309Z LAST-MODIFIED:20210123T205612Z UID:8917-1611338400-1611342000@oacc.cc SUMMARY:"Padmavyuha": A Conversation Behind the Scenes DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/padmavyuha-film-talk/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/11/20210122Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20210109T130000 DTEND;TZID=America/Los_Angeles:20210109T140000 DTSTAMP:20210109T223001Z CREATED:20201102T211410Z LAST-MODIFIED:20210109T223001Z UID:8888-1610197200-1610200800@oacc.cc SUMMARY:Book Talk: Women and the Legacy of Imperialism in the Pacific DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/women-and-legacy-of-imperialism-in-pacific/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/11/20210109WomenAndPacificImperialismThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20201224 DTEND;VALUE=DATE:20210102 DTSTAMP:20200225T002825Z CREATED:20200225T002412Z LAST-MODIFIED:20200225T002825Z UID:7670-1608768000-1609545599@oacc.cc SUMMARY:Closed for Holidays DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/holidays/ LOCATION:CA END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201219T170000 DTEND;TZID=America/Los_Angeles:20201219T183000 DTSTAMP:20201221T182748Z CREATED:20201020T211839Z LAST-MODIFIED:20201221T182748Z UID:8834-1608397200-1608402600@oacc.cc SUMMARY:Celebrating Our HeART-filled Heritage: Vanessa Vân-Ánh Võ DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/heart-filled-heritage-series-van-anh-vo/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/10/20201219VanAnh_thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201204T170000 DTEND;TZID=America/Los_Angeles:20201204T183000 DTSTAMP:20201221T182920Z CREATED:20201113T210849Z LAST-MODIFIED:20201221T182920Z UID:8948-1607101200-1607106600@oacc.cc SUMMARY:Quarantini Mixer: Beer Tasting 101 With Trappist DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/quarantini-mixer-beer-tasting-101-with-trappist/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/11/Thumbnail-1.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20201126 DTEND;VALUE=DATE:20201130 DTSTAMP:20200225T002851Z CREATED:20200225T002245Z LAST-MODIFIED:20200225T002851Z UID:7668-1606348800-1606694399@oacc.cc SUMMARY:Closed for Thanksgiving DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/thanksgiving/ LOCATION:CA END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201123T170000 DTEND;TZID=America/Los_Angeles:20201123T190000 DTSTAMP:20201221T182832Z CREATED:20201022T171257Z LAST-MODIFIED:20201221T182832Z UID:8842-1606150800-1606158000@oacc.cc SUMMARY:Quiz For a Cause! Trivia Night with Geeks Who Drink DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/quiz-for-a-cause-trivia-night-with-geeks-who-drink/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/10/QFAC_Nov.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201122T130000 DTEND;TZID=America/Los_Angeles:20201122T150000 DTSTAMP:20201122T230620Z CREATED:20201019T235654Z LAST-MODIFIED:20201122T230620Z UID:8829-1606050000-1606057200@oacc.cc SUMMARY:Write Now! SF Bay: Claim Ourselves\, Connect with Each Other DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/claim-ourselves-connect-with-each-other/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/10/11.22-OACC-Stand-Up_thumbnail.jpeg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201119T180000 DTEND;TZID=America/Los_Angeles:20201119T190000 DTSTAMP:20201120T031526Z CREATED:20201019T204943Z LAST-MODIFIED:20201120T031526Z UID:8825-1605808800-1605812400@oacc.cc SUMMARY:San Francisco's Chinatown: Resilience\, Survival\, and Celebration DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/sf-chinatown-book-talk/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/10/20201119SFChinatownThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201114T160000 DTEND;TZID=America/Los_Angeles:20201114T180000 DTSTAMP:20201115T021334Z CREATED:20200718T004830Z LAST-MODIFIED:20201115T021334Z UID:8128-1605369600-1605376800@oacc.cc SUMMARY:140 LBS: How Beauty Killed My Mother Virtual Screening DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/140lbs/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2020/03/LOVE-ME-AS-I-AM_.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20201111 DTEND;VALUE=DATE:20201112 DTSTAMP:20200225T002837Z CREATED:20200225T001549Z LAST-MODIFIED:20200225T002837Z UID:7665-1605052800-1605139199@oacc.cc SUMMARY:Closed for Veterans Day DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/veterans-day/ LOCATION:CA END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201031T100000 DTEND;TZID=America/Los_Angeles:20201031T103000 DTSTAMP:20201103T213623Z CREATED:20201002T013034Z LAST-MODIFIED:20201103T213623Z UID:8721-1604138400-1604140200@oacc.cc SUMMARY:Sari-Sari Story Time 2: Kalipay and the Tiniest Tiktik DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/sari-sari-story-time-2/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/10/20201031SariSariKalipayThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201030T180000 DTEND;TZID=America/Los_Angeles:20201030T190000 DTSTAMP:20201031T165502Z CREATED:20200923T200339Z LAST-MODIFIED:20201031T165502Z UID:8687-1604080800-1604084400@oacc.cc SUMMARY:Banchan Cooking Workshop 2 DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/banchan-workshop-2/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/09/20201030Banchan2_Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201024T130000 DTEND;TZID=America/Los_Angeles:20201024T143000 DTSTAMP:20201024T213741Z CREATED:20200918T225921Z LAST-MODIFIED:20201024T213741Z UID:8663-1603544400-1603549800@oacc.cc SUMMARY:Oakland Chinatown Today\, Oakland Chinatown Tomorrow DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/oakland-chinatown-today-tomorrow/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/09/20201024OCTodayandTomorrowThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201024T100000 DTEND;TZID=America/Los_Angeles:20201024T103000 DTSTAMP:20201024T173423Z CREATED:20201002T012455Z LAST-MODIFIED:20201024T173423Z UID:8717-1603533600-1603535400@oacc.cc SUMMARY:Sari-Sari Story Time 1: Amina and the City of Flowers DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/sari-sari-story-time-1/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/10/20201024SariSariAminaThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201017T130000 DTEND;TZID=America/Los_Angeles:20201017T140000 DTSTAMP:20201019T182442Z CREATED:20200824T203306Z LAST-MODIFIED:20201019T182442Z UID:8617-1602939600-1602943200@oacc.cc SUMMARY:Chinatown Pretty Book Talk DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/chinatown-pretty-book-talk/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/08/20201017ChinatownPrettyThumbnail-1.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201016T180000 DTEND;TZID=America/Los_Angeles:20201016T190000 DTSTAMP:20201024T173258Z CREATED:20200923T200143Z LAST-MODIFIED:20201024T173258Z UID:8683-1602871200-1602874800@oacc.cc SUMMARY:Banchan Cooking Workshop 1 DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/banchan-workshop-1/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/09/20201016Banchan1_Thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20201012T180000 DTEND;TZID=America/Los_Angeles:20201012T193000 DTSTAMP:20201019T184228Z CREATED:20200923T225708Z LAST-MODIFIED:20201019T184228Z UID:8701-1602525600-1602531000@oacc.cc SUMMARY:"In the Land of My Ancestors" Film & Conversation DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/in-the-land-of-my-ancestors/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/09/20201012LandofAncestorsThumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20200930 DTEND;VALUE=DATE:20210101 DTSTAMP:20211008T184130Z CREATED:20200813T191011Z LAST-MODIFIED:20211008T184130Z UID:8575-1601424000-1609459199@oacc.cc SUMMARY:Virtual Chuseok Festival Youth Art Contest DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/virtual-chuseok-festival-youth-art-contest/ LOCATION:CA CATEGORIES:Past Exhibitions ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/08/Art-Contest_thumbnail.jpg ORGANIZER;CN="Korean Center%2C Inc.":MAILTO:info@koreancentersf.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20200925T170000 DTEND;TZID=America/Los_Angeles:20200925T190000 DTSTAMP:20201001T180006Z CREATED:20200717T182601Z LAST-MODIFIED:20201001T180006Z UID:8610-1601053200-1601060400@oacc.cc SUMMARY:Quarantini Mixer: Spritz\, Mix\, & Drink From Home with Viridian and OACC DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PERFORMANCE PREVIEWS URL:https://oacc.cc/event/quarantini-mixer/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2020/08/cocktail_thumb_02-2.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT END:VCALENDAR