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DTSTART;TZID=America/Los_Angeles:20260530T190000
DTEND;TZID=America/Los_Angeles:20260530T210000
DTSTAMP:20260417T001308Z
CREATED:20260413T185348Z
LAST-MODIFIED:20260417T001308Z
UID:23198-1780167600-1780174800@oacc.cc
SUMMARY:Celebrating Our HeART-Filled Heritage: Celebrating the Zither—Asian American Identity and Cultural Survival
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/asian-zither/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/04/Asian-Zither-FB-1080-x-1080-px.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260605T120000
DTEND;TZID=America/Los_Angeles:20260605T130000
DTSTAMP:20260603T223304Z
CREATED:20260603T223247Z
LAST-MODIFIED:20260603T223304Z
UID:23417-1780660800-1780664400@oacc.cc
SUMMARY:June Mending Circle
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/june-mending-circle/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2025/11/Mending-Circle-Evergreen-Preview-White-Background.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260612T180000
DTEND;TZID=America/Los_Angeles:20260612T200000
DTSTAMP:20260512T213817Z
CREATED:20260511T201833Z
LAST-MODIFIED:20260512T213817Z
UID:23300-1781287200-1781294400@oacc.cc
SUMMARY:Opening Doorways for Belonging and Liberation: PARAMITA Film Screening and Healing Workshop with Kirthi Nath
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/paramita/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/05/PARAMITA-FB-1080-x-1080-px.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260624T120000
DTEND;TZID=America/Los_Angeles:20260815T170000
DTSTAMP:20260820T233203Z
CREATED:20260603T011234Z
LAST-MODIFIED:20260820T233203Z
UID:23404-1782302400-1786813200@oacc.cc
SUMMARY:From Ochazuke to Adobo: Care\, Memory\, and the Immigrant Kitchen with Julia LaChica
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/ochazuke-adobo/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Exhibitions
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/06/Julia-LaChia-FB-1080-x-1080-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260626T183000
DTEND;TZID=America/Los_Angeles:20260626T203000
DTSTAMP:20260602T214051Z
CREATED:20260602T213826Z
LAST-MODIFIED:20260602T214051Z
UID:23397-1782498600-1782505800@oacc.cc
SUMMARY:Pieces of Self: A Collage Workshop with Trisha Mah
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/trisha-mah/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/06/Pieces-of-Self-FB-1080-x-1080.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260710T120000
DTEND;TZID=America/Los_Angeles:20260710T130000
DTSTAMP:20260706T234711Z
CREATED:20260706T234615Z
LAST-MODIFIED:20260706T234711Z
UID:23459-1783684800-1783688400@oacc.cc
SUMMARY:July Mending Circle
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/july-mending-circle/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2025/11/Mending-Circle-Evergreen-Preview-White-Background.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260712T140000
DTEND;TZID=America/Los_Angeles:20260712T160000
DTSTAMP:20260707T203510Z
CREATED:20260529T223451Z
LAST-MODIFIED:20260707T203510Z
UID:23326-1783864800-1783872000@oacc.cc
SUMMARY:Musikang Kalipay: A Rondalla Concert with the Iskwelahang Pilipino
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/kalipay/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/05/Musikang-Kalipay-FB-1080-x-1080-px.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260723T170000
DTEND;TZID=America/Los_Angeles:20260723T190000
DTSTAMP:20260624T213605Z
CREATED:20260623T195601Z
LAST-MODIFIED:20260624T213605Z
UID:23423-1784826000-1784833200@oacc.cc
SUMMARY:1850-1882: A Chinese American Origin Story—A Book Talk with Veronica Li
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/veronica-li/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/06/1882-Book-Talk-IG-1080-x-1080.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260801T130000
DTEND;TZID=America/Los_Angeles:20260801T160000
DTSTAMP:20260731T160946Z
CREATED:20260703T014214Z
LAST-MODIFIED:20260731T160946Z
UID:23449-1785589200-1785600000@oacc.cc
SUMMARY:Our Stories in Our Voices: Oral History of Oakland Chinatown Organizing Across Generations
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/oral-history-chinatown/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/07/Our-Stories-in-Our-Voices-FB-1080-x-1080.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260807T120000
DTEND;TZID=America/Los_Angeles:20260807T133000
DTSTAMP:20260805T204519Z
CREATED:20260722T202453Z
LAST-MODIFIED:20260805T204519Z
UID:23472-1786104000-1786109400@oacc.cc
SUMMARY:August Mending Circle
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/aug2026-mending-circle/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2025/11/Mending-Circle-Evergreen-Preview-White-Background.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260815T140000
DTEND;TZID=America/Los_Angeles:20260815T160000
DTSTAMP:20260730T155923Z
CREATED:20260722T213418Z
LAST-MODIFIED:20260730T155923Z
UID:23476-1786802400-1786809600@oacc.cc
SUMMARY:Nest of Tongues: A Book Launch With Randy Ribay
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/nest-of-tongues/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/07/Nest-of-Tongues-FB-1080-x-1080-px.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260819T140000
DTEND;TZID=America/Los_Angeles:20260926T160000
DTSTAMP:20260821T001658Z
CREATED:20260820T203416Z
LAST-MODIFIED:20260821T001658Z
UID:23575-1787148000-1790438400@oacc.cc
SUMMARY:The Fragrance of Calligraphy and Ink: An Exhibition of Chinese Brush Paintings
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/chinese-brush-paintings/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/08/Fragrance-of-Ink-Preview-1080-x-1080-px.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260829T140000
DTEND;TZID=America/Los_Angeles:20260830T150000
DTSTAMP:20260818T154700Z
CREATED:20260818T154657Z
LAST-MODIFIED:20260818T154700Z
UID:23564-1788012000-1788102000@oacc.cc
SUMMARY:Bilingual Chinese Storytime: Celebrating the Qixi Festival
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/bilingual-storytime-aug26/
LOCATION:Online
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/08/Bilingual-Storytime-FB-1080-x-1080-px.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260904T120000
DTEND;TZID=America/Los_Angeles:20260904T133000
DTSTAMP:20260901T042024Z
CREATED:20260901T041628Z
LAST-MODIFIED:20260901T042024Z
UID:23615-1788523200-1788528600@oacc.cc
SUMMARY:September Mending Circle
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/sep2026-mending-circle/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2025/11/Mending-Circle-Evergreen-Preview-White-Background.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260911T190000
DTEND;TZID=America/Los_Angeles:20260911T210000
DTSTAMP:20260910T193119Z
CREATED:20260806T212924Z
LAST-MODIFIED:20260910T193119Z
UID:23528-1789153200-1789160400@oacc.cc
SUMMARY:Interweaving: Indo-Persian Exchanges
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/interweaving/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/08/Interweaving-Indo-Persian-Exchanges-FB-1080-x-1080-px.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260919T103000
DTEND;TZID=America/Los_Angeles:20260919T150000
DTSTAMP:20260818T004356Z
CREATED:20260814T045103Z
LAST-MODIFIED:20260818T004356Z
UID:23549-1789813800-1789830000@oacc.cc
SUMMARY:Tea & Tiles: A Saturday Social With 13 Orphans
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/tea-tiles-sep2026/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/08/Tea-Tiles-Sep2026-FB-1080-x-1080-2.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261002T120000
DTEND;TZID=America/Los_Angeles:20261002T133000
DTSTAMP:20260901T042328Z
CREATED:20260901T042126Z
LAST-MODIFIED:20260901T042328Z
UID:23620-1790942400-1790947800@oacc.cc
SUMMARY:October Mending Circle
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/oct2026-mending-circle/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2025/11/Mending-Circle-Evergreen-Preview-White-Background.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261003T140000
DTEND;TZID=America/Los_Angeles:20261004T150000
DTSTAMP:20260916T003747Z
CREATED:20260916T003547Z
LAST-MODIFIED:20260916T003747Z
UID:23638-1791036000-1791126000@oacc.cc
SUMMARY:Bilingual Chinese Storytime: Celebrating the Mid-Autumn Festival
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/bilingual-storytime-oct26/
LOCATION:Online
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/09/English-Mid-Autumn-Bilingual-Storytime-FB-1080-x-1080-px.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261115T120000
DTEND;TZID=America/Los_Angeles:20261115T140000
DTSTAMP:20260916T014303Z
CREATED:20260916T014142Z
LAST-MODIFIED:20260916T014303Z
UID:23656-1794744000-1794751200@oacc.cc
SUMMARY:Ecologies of Resistance: A Conversation with Authors Umi Vaughan\, Tiffany Yap and Robert Liu-Trujillo
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/ecologies-resist/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2026/09/Ecologies-of-Resistance-Authors-in-Convo-FB-1080-x-1080-px.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
END:VCALENDAR