BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Oakland Asian Cultural Center - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://oacc.cc
X-WR-CALDESC:Events for Oakland Asian Cultural Center
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20220313T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20221106T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20230312T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20231105T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20240310T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20241103T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20250309T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20251102T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230315T120000
DTEND;TZID=America/Los_Angeles:20230430T150000
DTSTAMP:20260507T014329
CREATED:20230307T191355Z
LAST-MODIFIED:20230412T222839Z
UID:13574-1678881600-1682866800@oacc.cc
SUMMARY:2023 Virtual Community Night Market
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/vcnm-apply/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/03/Vendor-application-live.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230316T193000
DTEND;TZID=America/Los_Angeles:20230318T213000
DTSTAMP:20260507T014329
CREATED:20230302T184843Z
LAST-MODIFIED:20230321T001907Z
UID:13530-1678995000-1679175000@oacc.cc
SUMMARY:Dancing Moons Festival with Oakland Ballet Company
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/dancing-moons-festival/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/03/Dancing-Moons-Festival-IG-Square.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230317T180000
DTEND;TZID=America/Los_Angeles:20230317T200000
DTSTAMP:20260507T014329
CREATED:20230131T064746Z
LAST-MODIFIED:20230321T001816Z
UID:13345-1679076000-1679083200@oacc.cc
SUMMARY:SOLD OUT: 48 Years After the End of the Vietnam War: A Continued Conversation About Empathy & Healing
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/dustchild/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/01/03172023-Dust-Child-IG-Flyer-4.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230324T180000
DTEND;TZID=America/Los_Angeles:20230324T193000
DTSTAMP:20260507T014329
CREATED:20230106T184132Z
LAST-MODIFIED:20230327T145813Z
UID:13211-1679680800-1679686200@oacc.cc
SUMMARY:Singles Oakferno: 21+ Singles Mixer for Young Professionals
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/singlesoakferno/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/01/singles-oakferno-updated-website-thumbnail.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230402T140000
DTEND;TZID=America/Los_Angeles:20230402T160000
DTSTAMP:20260507T014329
CREATED:20230302T012100Z
LAST-MODIFIED:20230406T231937Z
UID:13525-1680444000-1680451200@oacc.cc
SUMMARY:Have You Eaten Yet? A Conversation with Cheuk Kwan & Martin Yan on Food and the Chinese Diaspora
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/have-you-eaten-yet/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/03/Have-You-Eaten-Yet-IG-2.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230422T193000
DTEND;TZID=America/Los_Angeles:20230422T213000
DTSTAMP:20260507T014329
CREATED:20230221T192837Z
LAST-MODIFIED:20230424T194501Z
UID:13420-1682191800-1682199000@oacc.cc
SUMMARY:Celebrating Our HeART-filled Heritage: Joe Kye\, SURRIJA\, and Nikbo
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/cohh-rootingself/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/02/04222023-COHH-Rooting-Self-IG-flyers-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230510T120000
DTEND;TZID=America/Los_Angeles:20230730T170000
DTSTAMP:20260507T014329
CREATED:20230411T223757Z
LAST-MODIFIED:20230915T220020Z
UID:13775-1683720000-1690736400@oacc.cc
SUMMARY:Unsigned\, Unsealed\, Delivered (I'm Yours)
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/poinciana/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/04/Poinciana-thumbnail-REVISED.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230513T180000
DTEND;TZID=America/Los_Angeles:20230513T200000
DTSTAMP:20260507T014329
CREATED:20230329T222814Z
LAST-MODIFIED:20230516T184739Z
UID:13553-1684000800-1684008000@oacc.cc
SUMMARY:Celebrating Our HeART-filled Heritage: Son of Paper
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/cohh-sop/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/03/05132023-COHH-SOP-2.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230519T180000
DTEND;TZID=America/Los_Angeles:20230519T200000
DTSTAMP:20260507T014329
CREATED:20230406T221701Z
LAST-MODIFIED:20230522T191245Z
UID:13557-1684519200-1684526400@oacc.cc
SUMMARY:Find Your Crew: Connecting Bay Area Filmmakers and Content Creators
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/findyourcrew/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/04/6.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230528T140000
DTEND;TZID=America/Los_Angeles:20230528T170000
DTSTAMP:20260507T014329
CREATED:20230419T205257Z
LAST-MODIFIED:20230530T172120Z
UID:13547-1685282400-1685293200@oacc.cc
SUMMARY:Strong Like Bamboo: Stories of Resilience for Healing in the Era of Anti-AAPI Violence
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/strong-like-bamboo/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/04/Sunday-May-28-2023-200pm-1-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230602T193000
DTEND;TZID=America/Los_Angeles:20230602T213000
DTSTAMP:20260507T014329
CREATED:20230329T223404Z
LAST-MODIFIED:20230606T200648Z
UID:13551-1685734200-1685741400@oacc.cc
SUMMARY:Celebrating Our HeART-filled Heritage: Pasifika Futurism\, the SPULU Experience
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/cohh-spulu/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/03/the-spulu-experience-11-square-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230610T120000
DTEND;TZID=America/Los_Angeles:20230610T160000
DTSTAMP:20260507T014329
CREATED:20230427T054910Z
LAST-MODIFIED:20230726T131908Z
UID:13908-1686398400-1686412800@oacc.cc
SUMMARY:AAPI Mental Health and Wellness Jam
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/aapi-wellness-jam/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/04/PEERS-Mental-Health-Instagram-Post-Square-2.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230720T080000
DTEND;TZID=America/Los_Angeles:20230720T170000
DTSTAMP:20260507T014329
CREATED:20230720T080740Z
LAST-MODIFIED:20230915T213445Z
UID:14540-1689840000-1689872400@oacc.cc
SUMMARY:"Celebrating Our HeART-filled Heritage" Performing Arts Series
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/celebrating-our-heart-filled-heritage-performing-arts-series/
LOCATION:CA
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/07/Screenshot-2023-07-05-at-6.11-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230913T150000
DTEND;TZID=America/Los_Angeles:20230913T170000
DTSTAMP:20260507T014329
CREATED:20230620T201251Z
LAST-MODIFIED:20240318T212333Z
UID:14037-1694617200-1694624400@oacc.cc
SUMMARY:Book Reading with Grace Lin
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/chinesemenu/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/06/Grace-Lin-thumbnail-3.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230916T080000
DTEND;TZID=America/Los_Angeles:20230925T170000
DTSTAMP:20260507T014329
CREATED:20230915T215912Z
LAST-MODIFIED:20231003T205412Z
UID:15865-1694851200-1695661200@oacc.cc
SUMMARY:7th Street’s Secret Sauce: Celebrating Everett and Jones Barbeque’s 50-Year Legacy
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/everettjones/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/09/EJ-thumbnail-300x300-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230916T170000
DTEND;TZID=America/Los_Angeles:20230916T200000
DTSTAMP:20260507T014329
CREATED:20230620T202749Z
LAST-MODIFIED:20240318T213247Z
UID:14053-1694883600-1694894400@oacc.cc
SUMMARY:Save the Date: Vibe\, Vine\, & Vino Fundraiser and Mixer
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/vibevinevino-2/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/06/Save-the-Date-Vibe-Vine-Vino-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231011T130000
DTEND;TZID=America/Los_Angeles:20240122T170000
DTSTAMP:20260507T014329
CREATED:20231118T084415Z
LAST-MODIFIED:20240321T200858Z
UID:16549-1697029200-1705942800@oacc.cc
SUMMARY:Elder Voices: Chinatown Legacy Businesses Exhibition
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/elder-voices/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/11/roy-chan-exhibit-reception-thumbnail-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231117T140000
DTEND;TZID=America/Los_Angeles:20231117T153000
DTSTAMP:20260507T014329
CREATED:20230915T222835Z
LAST-MODIFIED:20240318T212013Z
UID:15919-1700229600-1700235000@oacc.cc
SUMMARY:“Everything I Learned\, I Learned in a Chinese Restaurant: A Memoir” Book Launch with Curtis Chin
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/everything-i-learned-i-learned/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/09/thumbnail-5-1024x1024-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231209T130000
DTEND;TZID=America/Los_Angeles:20231209T150000
DTSTAMP:20260507T014329
CREATED:20231118T093621Z
LAST-MODIFIED:20240206T204413Z
UID:16612-1702126800-1702134000@oacc.cc
SUMMARY:Elder Voices: Chinatown Legacy Businesses Exhibition Opening Reception
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/elder-voices-opening-reception/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/11/roy-chan-exhibit-reception-thumbnail-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240126T120000
DTEND;TZID=America/Los_Angeles:20240302T170000
DTSTAMP:20260507T014329
CREATED:20240112T003828Z
LAST-MODIFIED:20240318T214058Z
UID:17315-1706270400-1709398800@oacc.cc
SUMMARY:Love and Protect Mural Series
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/loveprotect/
LOCATION:CA
CATEGORIES:Featured,Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/01/murals-jpeg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240126T190000
DTEND;TZID=America/Los_Angeles:20240126T210000
DTSTAMP:20260507T014329
CREATED:20231220T003936Z
LAST-MODIFIED:20240318T211426Z
UID:16907-1706295600-1706302800@oacc.cc
SUMMARY:"The Six: The Untold Story of RMS Titanic’s Chinese Passengers" Film Screening & Discussion with Research Team Members
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/thesix/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/12/thumbnail-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240203T110000
DTEND;TZID=America/Los_Angeles:20240203T160000
DTSTAMP:20260507T014329
CREATED:20240103T205142Z
LAST-MODIFIED:20240318T210731Z
UID:16991-1706958000-1706976000@oacc.cc
SUMMARY:Lunar New Year x Black History Month 2024: Celebrating Asian & African-American Solidarity
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/lnybhm2024/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/01/Screen-Shot-2023-12-19-at-12.17.04-PM-1-1022x1024-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240215T190000
DTEND;TZID=America/Los_Angeles:20240215T203000
DTSTAMP:20260507T014329
CREATED:20240103T201419Z
LAST-MODIFIED:20240318T210038Z
UID:16970-1708023600-1708029000@oacc.cc
SUMMARY:ALTERNATIVE FACTS: The Lies of Executive Order 9066
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/alternative-facts/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/01/alternative-facts.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240229T160000
DTEND;TZID=America/Los_Angeles:20240229T190000
DTSTAMP:20260507T014329
CREATED:20240209T225744Z
LAST-MODIFIED:20240318T213955Z
UID:17865-1709222400-1709233200@oacc.cc
SUMMARY:"Love & Protect" Mural Series Closing Reception and AR Workshop
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/loveprotectclosingreception/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/02/reception.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240301T190000
DTEND;TZID=America/Los_Angeles:20240301T203000
DTSTAMP:20260507T014329
CREATED:20240123T233427Z
LAST-MODIFIED:20240318T205738Z
UID:17390-1709319600-1709325000@oacc.cc
SUMMARY:"Method Sampling: How to Build the Future Together" Documentary Film Premiere Screening & Discussion with Ensemble Mik Nawooj
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/methodsampling/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/01/method-sampling-jpeg.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240306T120000
DTEND;TZID=America/Los_Angeles:20240324T170000
DTSTAMP:20260507T014329
CREATED:20240214T214248Z
LAST-MODIFIED:20240318T234601Z
UID:18007-1709726400-1711299600@oacc.cc
SUMMARY:Passage: A Dancing Moons Festival Art Exhibition
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/passageexhibit/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Current Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/02/oakland-ballet-exhibition.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240314T193000
DTEND;TZID=America/Los_Angeles:20240316T193000
DTSTAMP:20260507T014329
CREATED:20240201T201236Z
LAST-MODIFIED:20240318T172836Z
UID:17678-1710444600-1710617400@oacc.cc
SUMMARY:Dancing Moons Festival 2024
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/dancingmoons2024/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/02/dancing-moons-jpeg.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240324T130000
DTEND;TZID=America/Los_Angeles:20240324T140000
DTSTAMP:20260507T014330
CREATED:20240129T232544Z
LAST-MODIFIED:20240405T012530Z
UID:17635-1711285200-1711288800@oacc.cc
SUMMARY:"Sons of Chinatown: A Memoir Rooted in China and America" Book Release Reading with William Gee Wong
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/sonsofchinatown/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/01/bill-wong-event-500-x-500-px.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240329T120000
DTEND;TZID=America/Los_Angeles:20240608T170000
DTSTAMP:20260507T014330
CREATED:20240207T213246Z
LAST-MODIFIED:20240523T221035Z
UID:17812-1711713600-1717866000@oacc.cc
SUMMARY:"Dalit Dreamlands: Toward an Anti-Caste Future" Exhibition and Opening Reception
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/dalitdreamlands/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Current Exhibitions
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/02/Square-with-text.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240420T120000
DTEND;TZID=America/Los_Angeles:20240420T150000
DTSTAMP:20260507T014330
CREATED:20240319T220527Z
LAST-MODIFIED:20240508T202700Z
UID:18090-1713614400-1713625200@oacc.cc
SUMMARY:Southeast Asian New Year Celebration
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/southeastasianny/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/03/Event-flyer.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
END:VCALENDAR