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DTSTART;TZID=America/Los_Angeles:20240203T110000
DTEND;TZID=America/Los_Angeles:20240203T160000
DTSTAMP:20260506T191825
CREATED:20240103T205142Z
LAST-MODIFIED:20240318T210731Z
UID:16991-1706958000-1706976000@oacc.cc
SUMMARY:Lunar New Year x Black History Month 2024: Celebrating Asian & African-American Solidarity
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/lnybhm2024/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/01/Screen-Shot-2023-12-19-at-12.17.04-PM-1-1022x1024-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240215T190000
DTEND;TZID=America/Los_Angeles:20240215T203000
DTSTAMP:20260506T191825
CREATED:20240103T201419Z
LAST-MODIFIED:20240318T210038Z
UID:16970-1708023600-1708029000@oacc.cc
SUMMARY:ALTERNATIVE FACTS: The Lies of Executive Order 9066
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/alternative-facts/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/01/alternative-facts.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240229T160000
DTEND;TZID=America/Los_Angeles:20240229T190000
DTSTAMP:20260506T191825
CREATED:20240209T225744Z
LAST-MODIFIED:20240318T213955Z
UID:17865-1709222400-1709233200@oacc.cc
SUMMARY:"Love & Protect" Mural Series Closing Reception and AR Workshop
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/loveprotectclosingreception/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/02/reception.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240301T190000
DTEND;TZID=America/Los_Angeles:20240301T203000
DTSTAMP:20260506T191825
CREATED:20240123T233427Z
LAST-MODIFIED:20240318T205738Z
UID:17390-1709319600-1709325000@oacc.cc
SUMMARY:"Method Sampling: How to Build the Future Together" Documentary Film Premiere Screening & Discussion with Ensemble Mik Nawooj
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/methodsampling/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/01/method-sampling-jpeg.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240306T120000
DTEND;TZID=America/Los_Angeles:20240324T170000
DTSTAMP:20260506T191825
CREATED:20240214T214248Z
LAST-MODIFIED:20240318T234601Z
UID:18007-1709726400-1711299600@oacc.cc
SUMMARY:Passage: A Dancing Moons Festival Art Exhibition
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/passageexhibit/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Current Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/02/oakland-ballet-exhibition.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240314T193000
DTEND;TZID=America/Los_Angeles:20240316T193000
DTSTAMP:20260506T191825
CREATED:20240201T201236Z
LAST-MODIFIED:20240318T172836Z
UID:17678-1710444600-1710617400@oacc.cc
SUMMARY:Dancing Moons Festival 2024
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/dancingmoons2024/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/02/dancing-moons-jpeg.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240324T130000
DTEND;TZID=America/Los_Angeles:20240324T140000
DTSTAMP:20260506T191825
CREATED:20240129T232544Z
LAST-MODIFIED:20240405T012530Z
UID:17635-1711285200-1711288800@oacc.cc
SUMMARY:"Sons of Chinatown: A Memoir Rooted in China and America" Book Release Reading with William Gee Wong
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/sonsofchinatown/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/01/bill-wong-event-500-x-500-px.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240329T120000
DTEND;TZID=America/Los_Angeles:20240608T170000
DTSTAMP:20260506T191825
CREATED:20240207T213246Z
LAST-MODIFIED:20240523T221035Z
UID:17812-1711713600-1717866000@oacc.cc
SUMMARY:"Dalit Dreamlands: Toward an Anti-Caste Future" Exhibition and Opening Reception
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/dalitdreamlands/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Current Exhibitions
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/02/Square-with-text.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240420T120000
DTEND;TZID=America/Los_Angeles:20240420T150000
DTSTAMP:20260506T191825
CREATED:20240319T220527Z
LAST-MODIFIED:20240508T202700Z
UID:18090-1713614400-1713625200@oacc.cc
SUMMARY:Southeast Asian New Year Celebration
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/southeastasianny/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/03/Event-flyer.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240427T130000
DTEND;TZID=America/Los_Angeles:20240427T160000
DTSTAMP:20260506T191825
CREATED:20240412T013856Z
LAST-MODIFIED:20240508T202556Z
UID:18430-1714222800-1714233600@oacc.cc
SUMMARY:Philippine Master Culture Bearers of T’boli\, Yakan\, Kalinga People: Weaving Workshop
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/philippinemasterculturebearers/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/04/weaving-workshop-thumbnail-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240503T140000
DTEND;TZID=America/Los_Angeles:20240503T153000
DTSTAMP:20260506T191825
CREATED:20240321T194933Z
LAST-MODIFIED:20240521T223247Z
UID:18136-1714744800-1714750200@oacc.cc
SUMMARY:How K-Dramas Can Transform Your Life: A Fireside Chat with Clinician\, Speaker\, Coach\, and Author Jeanie Y. Chang\, LMFT
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/howkdramascantransformyourlife/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/03/thumbnail-2.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240510T200000
DTEND;TZID=America/Los_Angeles:20240510T213000
DTSTAMP:20260506T191825
CREATED:20240321T205611Z
LAST-MODIFIED:20240521T223216Z
UID:18161-1715371200-1715376600@oacc.cc
SUMMARY:Interwoven Stories of Culture\, Belonging\, and Change\, Featuring Ishami Dance Company
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/interwovenstories/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/03/1.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240511T110000
DTEND;TZID=America/Los_Angeles:20240511T123000
DTSTAMP:20260506T191825
CREATED:20240326T235217Z
LAST-MODIFIED:20240521T223138Z
UID:18196-1715425200-1715430600@oacc.cc
SUMMARY:Movement Workshop: Interwoven Stories of Culture\, Belonging\, and Change\, Facilitated by Ishami Dance Company
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/interwovenstoriesworkshop/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/03/workshop-thumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240517T190000
DTEND;TZID=America/Los_Angeles:20240517T203000
DTSTAMP:20260506T191825
CREATED:20240405T021110Z
LAST-MODIFIED:20240521T223106Z
UID:18246-1715972400-1715977800@oacc.cc
SUMMARY:Premiere Short Film Documentaries From Anthony Brown’s Asian American Orchestra’s 2018 Performance with Angela Davis and Janice Mirikitani Followed by a Live Performance
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/premierewithanthonybrown/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/04/thumbnail-2.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240601T120000
DTEND;TZID=America/Los_Angeles:20240601T160000
DTSTAMP:20260506T191825
CREATED:20240408T221152Z
LAST-MODIFIED:20240529T004707Z
UID:18221-1717243200-1717257600@oacc.cc
SUMMARY:AAPI Mental Health & Wellness Jam 2024
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/aapimentalhealthjam2024/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/03/thumbnail-4.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240614T120000
DTEND;TZID=America/Los_Angeles:20240727T170000
DTSTAMP:20260506T191825
CREATED:20240516T010352Z
LAST-MODIFIED:20250306T184313Z
UID:18767-1718366400-1722099600@oacc.cc
SUMMARY:"Longing for Attachment" Exhibition
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/longingforattachment/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/05/thumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240622T130000
DTEND;TZID=America/Los_Angeles:20240622T150000
DTSTAMP:20260506T191825
CREATED:20240501T215409Z
LAST-MODIFIED:20240815T214302Z
UID:18601-1719061200-1719068400@oacc.cc
SUMMARY:"Searching for Kapwa" Film Screening and Discussion
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/searchingforkapwa/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/05/EDITED-WEBSITE-THUMBNAIL-1.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240801T120000
DTEND;TZID=America/Los_Angeles:20240907T170000
DTSTAMP:20260506T191825
CREATED:20240709T234004Z
LAST-MODIFIED:20240909T184423Z
UID:19213-1722513600-1725728400@oacc.cc
SUMMARY:Precious Beings Exhibition & Closing Reception
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/preciousbeings/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Exhibitions
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/07/precious-beings-exhibit-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240803T170000
DTEND;TZID=America/Los_Angeles:20240803T213000
DTSTAMP:20260506T191825
CREATED:20240710T002737Z
LAST-MODIFIED:20240815T214223Z
UID:19212-1722704400-1722720600@oacc.cc
SUMMARY:BomBay to the Bay: a Garba Dance Festival
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/bombaytothebay/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/07/thumbnail-1.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240907T130000
DTEND;TZID=America/Los_Angeles:20240907T163000
DTSTAMP:20260506T191825
CREATED:20240814T235924Z
LAST-MODIFIED:20240908T000830Z
UID:19383-1725714000-1725726600@oacc.cc
SUMMARY:Celebrating Our HeART-filled Heritage: Hālau O Keikiali’i in Performance
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/cohhhalauokeikialii/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/08/decorative-thumbnail.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240918T120000
DTEND;TZID=America/Los_Angeles:20241109T170000
DTSTAMP:20260506T191825
CREATED:20240819T204131Z
LAST-MODIFIED:20240922T220659Z
UID:19431-1726660800-1731171600@oacc.cc
SUMMARY:AAPI Voters Have Power Exhibition
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/aapivotershavepower/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Current Exhibitions
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/08/thumbnail-10.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240922T130000
DTEND;TZID=America/Los_Angeles:20240922T143000
DTSTAMP:20260506T191825
CREATED:20240801T180527Z
LAST-MODIFIED:20240922T220545Z
UID:19346-1727010000-1727015400@oacc.cc
SUMMARY:"Simone" Book Release & Reading
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/simone/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/08/SIMONE-NEW-PRICE.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240927T180000
DTEND;TZID=America/Los_Angeles:20240927T200000
DTSTAMP:20260506T191825
CREATED:20240830T175910Z
LAST-MODIFIED:20241014T170605Z
UID:19720-1727460000-1727467200@oacc.cc
SUMMARY:A Short Film Screening and Book Reading Exploring Cambodian & Queer Identity with Jean-Baptiste Phou
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/mymotherstongue-comingoutofmyskin/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/08/thumbnail-14.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240929T130000
DTEND;TZID=America/Los_Angeles:20240929T150000
DTSTAMP:20260506T191825
CREATED:20240823T160615Z
LAST-MODIFIED:20241014T170459Z
UID:19636-1727614800-1727622000@oacc.cc
SUMMARY:Speed Weave Loom Mending
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/speedweaveloommending/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/08/ENGLISH.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241011T183000
DTEND;TZID=America/Los_Angeles:20241011T200000
DTSTAMP:20260506T191825
CREATED:20240926T180105Z
LAST-MODIFIED:20241014T170419Z
UID:20070-1728671400-1728676800@oacc.cc
SUMMARY:"Background Artist: The Life and Work of Tyrus Wong." A Book Reading and Conversation with Author Karen Fang
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/backgroundartist/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/09/updated-flyer.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241012
DTEND;VALUE=DATE:20241109
DTSTAMP:20260506T191825
CREATED:20241001T225318Z
LAST-MODIFIED:20241002T001600Z
UID:20042-1728691200-1731110399@oacc.cc
SUMMARY:OACC Co-Presents: Kearny Street Workshop's "APAture 2024: Return"
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/apature2024/
LOCATION:CA
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/09/apature-2024.png
ORGANIZER;CN="Kearny Street Workshop":MAILTO:info@kearnystreet.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241109T130000
DTEND;TZID=America/Los_Angeles:20241109T150000
DTSTAMP:20260506T191825
CREATED:20241104T185535Z
LAST-MODIFIED:20241117T175322Z
UID:20438-1731157200-1731164400@oacc.cc
SUMMARY:POSTPONED: Visible Mending For Stains & Patches
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/visiblemending/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/11/postponed-2.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241114T120000
DTEND;TZID=America/Los_Angeles:20250118T170000
DTSTAMP:20260506T191825
CREATED:20241112T181725Z
LAST-MODIFIED:20250107T184419Z
UID:20475-1731585600-1737219600@oacc.cc
SUMMARY:Celebrating Asian American Artists from Creative Growth Exhibition
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/celebratingasianamericanartistsfromcreativegrowth/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Current Exhibitions
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/11/creative-growth-exhibit-flyer.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250112T123000
DTEND;TZID=America/Los_Angeles:20250112T163000
DTSTAMP:20260506T191825
CREATED:20241211T205434Z
LAST-MODIFIED:20250107T001256Z
UID:20553-1736685000-1736699400@oacc.cc
SUMMARY:SOLD OUT: Celebrating Our HeART-filled Heritage: Sounds of Greater Khorasan — Afghan and Tajik Poetry and Music
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/cohh-sounds-of-greater-khorasan/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Upcoming Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/12/thumbnail-2.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250118T130000
DTEND;TZID=America/Los_Angeles:20250118T143000
DTSTAMP:20260506T191825
CREATED:20241204T204954Z
LAST-MODIFIED:20250306T184235Z
UID:20520-1737205200-1737210600@oacc.cc
SUMMARY:The March Fong Eu Story: An Authorized Biography of an Unauthorized Woman. Book Talk with Author Tim Vandehey and Editor Pattie Fong.
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/themarchfongeustory/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/12/march-fong-eu-thumbnail-2.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
END:VCALENDAR