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DTSTART;TZID=America/Los_Angeles:20200216T150000
DTEND;TZID=America/Los_Angeles:20200216T170000
DTSTAMP:20260506T170452
CREATED:20191213T075435Z
LAST-MODIFIED:20200218T224655Z
UID:7395-1581865200-1581872400@oacc.cc
SUMMARY:Gish Jen's The Resisters Book Talk with Helen Zia
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/gish-jens-the-resisters-book-talk-with-helen-zia/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/12/20200216GishJenTalk_WebsiteThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200212T180000
DTEND;TZID=America/Los_Angeles:20200212T200000
DTSTAMP:20260506T170452
CREATED:20200130T235928Z
LAST-MODIFIED:20200213T223053Z
UID:7564-1581530400-1581537600@oacc.cc
SUMMARY:Community Input Session for a New Mural
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/community-input-session-for-a-new-mural/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/01/20200212CommRejuvenationThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200207T183000
DTEND;TZID=America/Los_Angeles:20200207T200000
DTSTAMP:20260506T170452
CREATED:20200109T225440Z
LAST-MODIFIED:20200213T223047Z
UID:7476-1581100200-1581105600@oacc.cc
SUMMARY:Tsuru Fold-In & Film Screening
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/tsuru-fold-in-film-screening/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/01/20200207AndThenWebThumbnail-01.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200203
DTEND;VALUE=DATE:20200229
DTSTAMP:20260506T170452
CREATED:20191206T222918Z
LAST-MODIFIED:20200311T221909Z
UID:7380-1580688000-1582934399@oacc.cc
SUMMARY:Portraits of Oakland Chinatown
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/portraits-of-oakland-chinatown/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/01/20200203PortraitsOfOaklandChinatownThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200202T110000
DTEND;TZID=America/Los_Angeles:20200202T150000
DTSTAMP:20260506T170452
CREATED:20190808T025019Z
LAST-MODIFIED:20200203T201019Z
UID:7040-1580641200-1580655600@oacc.cc
SUMMARY:Lunar New Year 2020
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/lunar-new-year-2020/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/08/Web-Thumb.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200131T083000
DTEND;TZID=America/Los_Angeles:20200131T100000
DTSTAMP:20260506T170452
CREATED:20200122T232054Z
LAST-MODIFIED:20200203T201106Z
UID:7520-1580459400-1580464800@oacc.cc
SUMMARY:Creative Mornings
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/creative-mornings/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/01/20200131CreativeMorningsThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200131
DTEND;VALUE=DATE:20200302
DTSTAMP:20260506T170452
CREATED:20191226T213339Z
LAST-MODIFIED:20200311T221856Z
UID:7430-1580428800-1583107199@oacc.cc
SUMMARY:The Art of Survival: Enduring the Turmoil of Tule Lake
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/the-art-of-survival-enduring-the-turmoil-of-tule-lake/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2020/01/20200131ArtOfSurvivalThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200128T193000
DTEND;TZID=America/Los_Angeles:20200128T213000
DTSTAMP:20260506T170452
CREATED:20191220T195234Z
LAST-MODIFIED:20200203T201005Z
UID:7405-1580239800-1580247000@oacc.cc
SUMMARY:Quiz For Cause to Benefit the Oakland Asian Cultural Center
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/a-quiz-for-cause/
LOCATION:Paulista Brazilian Kitchen and Taproom\, 4239 Park Boulevard\, Oakland\, CA\, 94602\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/12/quiz-for-a-cause.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200119T140000
DTEND;TZID=America/Los_Angeles:20200119T150000
DTSTAMP:20260506T170452
CREATED:20191122T022056Z
LAST-MODIFIED:20200121T195146Z
UID:7355-1579442400-1579446000@oacc.cc
SUMMARY:Chicken of the Sea: A Children's Book Reading
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/chicken-of-the-sea-a-childrens-book-reading/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/11/20200119ChickenWebsiteThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200110T190000
DTEND;TZID=America/Los_Angeles:20200110T210000
DTSTAMP:20260506T170452
CREATED:20191226T213012Z
LAST-MODIFIED:20200116T022250Z
UID:7421-1578682800-1578690000@oacc.cc
SUMMARY:OACC Movie Nights: Nailed It!
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/oacc-movie-nights-nailed-it/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/12/20200110NailedItThumbnail.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191224T000000
DTEND;TZID=America/Los_Angeles:20200101T235900
DTSTAMP:20260506T170452
CREATED:20191126T013935Z
LAST-MODIFIED:20191126T013935Z
UID:7368-1577145600-1577923140@oacc.cc
SUMMARY:Closed for Holidays
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/closed-for-holidays/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191220T183000
DTEND;TZID=America/Los_Angeles:20191220T200000
DTSTAMP:20260506T170452
CREATED:20191114T224025Z
LAST-MODIFIED:20191226T211117Z
UID:7337-1576866600-1576872000@oacc.cc
SUMMARY:The Southeast Asian Diaspora
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/the-southeast-asian-diaspora/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/11/20191220SEAsianDiaspora_WebsiteThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191206T190000
DTEND;TZID=America/Los_Angeles:20191206T203000
DTSTAMP:20260506T170452
CREATED:20191206T223316Z
LAST-MODIFIED:20191212T194525Z
UID:7385-1575658800-1575664200@oacc.cc
SUMMARY:Everybody\, Everybody: A community dance workshop
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/everybody-everybody-a-community-dance-workshop/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/12/everybdy_dec6.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191206T183000
DTEND;TZID=America/Los_Angeles:20191206T203000
DTSTAMP:20260506T170452
CREATED:20191104T231324Z
LAST-MODIFIED:20191212T194518Z
UID:7314-1575657000-1575664200@oacc.cc
SUMMARY:Wherever There's A Fight: 10th Anniversary Reading
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/wherever-theres-a-fight-10th-anniversary-reading/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/11/20191206WTIAF_WebsiteThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191128T000000
DTEND;TZID=America/Los_Angeles:20191201T235900
DTSTAMP:20260506T170452
CREATED:20180126T013348Z
LAST-MODIFIED:20191126T013528Z
UID:7366-1574899200-1575244740@oacc.cc
SUMMARY:Closed for Thanksgiving
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/closed-for-thanksgiving/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191123T140000
DTEND;TZID=America/Los_Angeles:20191123T163000
DTSTAMP:20260506T170452
CREATED:20191023T005331Z
LAST-MODIFIED:20191125T195628Z
UID:7280-1574517600-1574526600@oacc.cc
SUMMARY:Body\, Mind\, Spirit: Healing Through Martial Arts
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/body-mind-spirit-healing-through-martial-arts/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/10/20191123MartialArtsThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191123
DTEND;VALUE=DATE:20200201
DTSTAMP:20260506T170452
CREATED:20191104T231749Z
LAST-MODIFIED:20200203T201307Z
UID:7321-1574467200-1580515199@oacc.cc
SUMMARY:Calligraphies in Conversation: Wisdom of the East
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/calligraphies-in-conversation-wisdom-of-the-east/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/11/Digital-Social-Media-600x600.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191122T173000
DTEND;TZID=America/Los_Angeles:20191122T203000
DTSTAMP:20260506T170452
CREATED:20191011T045014Z
LAST-MODIFIED:20191126T190055Z
UID:7254-1574443800-1574454600@oacc.cc
SUMMARY:OACC Friendsgiving
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/oacc-friendsgiving/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/10/Friendsgiving-Instagram-Post.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191120T180000
DTEND;TZID=America/Los_Angeles:20191120T200000
DTSTAMP:20260506T170452
CREATED:20191031T204339Z
LAST-MODIFIED:20191206T221959Z
UID:7306-1574272800-1574280000@oacc.cc
SUMMARY:Transgressions on Humanity Reception
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/transgressions-on-humanity-reception/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/10/201910TransgressionsThumbnail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191117T180000
DTEND;TZID=America/Los_Angeles:20191117T200000
DTSTAMP:20260506T170452
CREATED:20190921T160210Z
LAST-MODIFIED:20191121T004841Z
UID:7185-1574013600-1574020800@oacc.cc
SUMMARY:Family Sacrifices: Book Talk with Dr. Russell Jeung
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/family-sacrifices-book-talk-with-dr-russell-jeung/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/09/20191117FamilySacrificesThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191117T153000
DTEND;TZID=America/Los_Angeles:20191117T170000
DTSTAMP:20260506T170452
CREATED:20190927T204446Z
LAST-MODIFIED:20191121T004900Z
UID:7216-1574004600-1574010000@oacc.cc
SUMMARY:Manga\, Comics & Illustration with Oliver Chin and Chris Sasaki
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/manga-comics-illustration-with-oliver-chin-and-chris-sasaki/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/07/20191117MCWebsiteThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191115T190000
DTEND;TZID=America/Los_Angeles:20191115T210000
DTSTAMP:20260506T170452
CREATED:20190927T204109Z
LAST-MODIFIED:20191121T004833Z
UID:7213-1573844400-1573851600@oacc.cc
SUMMARY:OACC Movie Nights: The Farewell
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/oacc-movie-nights-the-farewell/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/09/20191115TheFarewellThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191103T183000
DTEND;TZID=America/Los_Angeles:20191103T203000
DTSTAMP:20260506T170452
CREATED:20190927T203653Z
LAST-MODIFIED:20191109T173601Z
UID:7210-1572805800-1572813000@oacc.cc
SUMMARY:The Sweetest Fruits: A Reading & Conversation with Monique Truong and Soleil Ho
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/the-sweetest-fruits-a-reading-conversation-with-monique-truong-and-soleil-ho/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/07/20191103SFWebsiteThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191103T100000
DTEND;TZID=America/Los_Angeles:20191103T160000
DTSTAMP:20260506T170452
CREATED:20190808T024535Z
LAST-MODIFIED:20191109T173545Z
UID:7035-1572775200-1572796800@oacc.cc
SUMMARY:Free Kidney Disease Screening
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/free-kidney-disease-screening-2/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/08/KDSAPThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191101T000000
DTEND;TZID=America/Los_Angeles:20191101T000000
DTSTAMP:20260506T170452
CREATED:20191014T203221Z
LAST-MODIFIED:20191109T173606Z
UID:7263-1572566400-1572566400@oacc.cc
SUMMARY:Celebrating Community in Action
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/celebrating-community-in-action/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/10/20191101CommunityReceptionSq.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191026T140000
DTEND;TZID=America/Los_Angeles:20191026T163000
DTSTAMP:20260506T170452
CREATED:20190913T190842Z
LAST-MODIFIED:20191109T173557Z
UID:7157-1572098400-1572107400@oacc.cc
SUMMARY:North American Pilipinx Authors Re-Imagine Philippine Myths
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/north-american-pilipinx-authors-re-imagine-philippine-myths/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/09/20191026PilipinxAuthorsThumbnail-1.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191019T120000
DTEND;TZID=America/Los_Angeles:20191019T163000
DTSTAMP:20260506T170452
CREATED:20190802T034900Z
LAST-MODIFIED:20191024T200358Z
UID:7000-1571486400-1571502600@oacc.cc
SUMMARY:Body\, Mind\, Spirit: Asian Family's Challenges and Outlook
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/body-mind-spirit-asian-familys-challenges-and-outlook/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/08/20191019AsianFamilysChallengesAndOutlookThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191018T180000
DTEND;TZID=America/Los_Angeles:20191018T200000
DTSTAMP:20260506T170452
CREATED:20190910T154433Z
LAST-MODIFIED:20191025T005614Z
UID:7126-1571421600-1571428800@oacc.cc
SUMMARY:OACC Movie Nights: The Fall of the I-Hotel
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/oacc-movie-nights-the-fall-of-the-i-hotel/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/09/20191018TheFallThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191013T140000
DTEND;TZID=America/Los_Angeles:20191013T170000
DTSTAMP:20260506T170452
CREATED:20191004T025855Z
LAST-MODIFIED:20191024T200402Z
UID:7223-1570975200-1570986000@oacc.cc
SUMMARY:Qigong Workshop - A Journey to a Brand-new Self
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/qigong-workshop-a-journey-to-a-brand-new-self-2/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/05/qi-ftrd.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191001
DTEND;VALUE=DATE:20200101
DTSTAMP:20260506T170452
CREATED:20190927T203220Z
LAST-MODIFIED:20200116T022454Z
UID:7207-1569888000-1577836799@oacc.cc
SUMMARY:Transgressions on Humanity: Walls\, Border Detentions & Prisons
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/transgressions-on-humanity-walls-border-detentions-prisons/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/10/201910TransgressionsThumbnail.jpg
END:VEVENT
END:VCALENDAR