BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Oakland Asian Cultural Center - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Oakland Asian Cultural Center
X-ORIGINAL-URL:https://oacc.cc
X-WR-CALDESC:Events for Oakland Asian Cultural Center
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20180311T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20181104T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20190310T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20191103T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20200308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20201101T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20210314T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20211107T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191123
DTEND;VALUE=DATE:20200201
DTSTAMP:20260506T180438
CREATED:20191104T231749Z
LAST-MODIFIED:20200203T201307Z
UID:7321-1574467200-1580515199@oacc.cc
SUMMARY:Calligraphies in Conversation: Wisdom of the East
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/calligraphies-in-conversation-wisdom-of-the-east/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/11/Digital-Social-Media-600x600.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191122T173000
DTEND;TZID=America/Los_Angeles:20191122T203000
DTSTAMP:20260506T180438
CREATED:20191011T045014Z
LAST-MODIFIED:20191126T190055Z
UID:7254-1574443800-1574454600@oacc.cc
SUMMARY:OACC Friendsgiving
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/oacc-friendsgiving/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/10/Friendsgiving-Instagram-Post.png
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191120T180000
DTEND;TZID=America/Los_Angeles:20191120T200000
DTSTAMP:20260506T180438
CREATED:20191031T204339Z
LAST-MODIFIED:20191206T221959Z
UID:7306-1574272800-1574280000@oacc.cc
SUMMARY:Transgressions on Humanity Reception
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/transgressions-on-humanity-reception/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/10/201910TransgressionsThumbnail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191117T180000
DTEND;TZID=America/Los_Angeles:20191117T200000
DTSTAMP:20260506T180438
CREATED:20190921T160210Z
LAST-MODIFIED:20191121T004841Z
UID:7185-1574013600-1574020800@oacc.cc
SUMMARY:Family Sacrifices: Book Talk with Dr. Russell Jeung
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/family-sacrifices-book-talk-with-dr-russell-jeung/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/09/20191117FamilySacrificesThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191117T153000
DTEND;TZID=America/Los_Angeles:20191117T170000
DTSTAMP:20260506T180438
CREATED:20190927T204446Z
LAST-MODIFIED:20191121T004900Z
UID:7216-1574004600-1574010000@oacc.cc
SUMMARY:Manga\, Comics & Illustration with Oliver Chin and Chris Sasaki
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/manga-comics-illustration-with-oliver-chin-and-chris-sasaki/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/07/20191117MCWebsiteThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191115T190000
DTEND;TZID=America/Los_Angeles:20191115T210000
DTSTAMP:20260506T180439
CREATED:20190927T204109Z
LAST-MODIFIED:20191121T004833Z
UID:7213-1573844400-1573851600@oacc.cc
SUMMARY:OACC Movie Nights: The Farewell
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/oacc-movie-nights-the-farewell/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/09/20191115TheFarewellThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191103T183000
DTEND;TZID=America/Los_Angeles:20191103T203000
DTSTAMP:20260506T180439
CREATED:20190927T203653Z
LAST-MODIFIED:20191109T173601Z
UID:7210-1572805800-1572813000@oacc.cc
SUMMARY:The Sweetest Fruits: A Reading & Conversation with Monique Truong and Soleil Ho
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/the-sweetest-fruits-a-reading-conversation-with-monique-truong-and-soleil-ho/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/07/20191103SFWebsiteThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191103T100000
DTEND;TZID=America/Los_Angeles:20191103T160000
DTSTAMP:20260506T180439
CREATED:20190808T024535Z
LAST-MODIFIED:20191109T173545Z
UID:7035-1572775200-1572796800@oacc.cc
SUMMARY:Free Kidney Disease Screening
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/free-kidney-disease-screening-2/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/08/KDSAPThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191101T000000
DTEND;TZID=America/Los_Angeles:20191101T000000
DTSTAMP:20260506T180439
CREATED:20191014T203221Z
LAST-MODIFIED:20191109T173606Z
UID:7263-1572566400-1572566400@oacc.cc
SUMMARY:Celebrating Community in Action
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/celebrating-community-in-action/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/10/20191101CommunityReceptionSq.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191026T140000
DTEND;TZID=America/Los_Angeles:20191026T163000
DTSTAMP:20260506T180439
CREATED:20190913T190842Z
LAST-MODIFIED:20191109T173557Z
UID:7157-1572098400-1572107400@oacc.cc
SUMMARY:North American Pilipinx Authors Re-Imagine Philippine Myths
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/north-american-pilipinx-authors-re-imagine-philippine-myths/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/09/20191026PilipinxAuthorsThumbnail-1.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191019T120000
DTEND;TZID=America/Los_Angeles:20191019T163000
DTSTAMP:20260506T180439
CREATED:20190802T034900Z
LAST-MODIFIED:20191024T200358Z
UID:7000-1571486400-1571502600@oacc.cc
SUMMARY:Body\, Mind\, Spirit: Asian Family's Challenges and Outlook
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/body-mind-spirit-asian-familys-challenges-and-outlook/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/08/20191019AsianFamilysChallengesAndOutlookThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191018T180000
DTEND;TZID=America/Los_Angeles:20191018T200000
DTSTAMP:20260506T180439
CREATED:20190910T154433Z
LAST-MODIFIED:20191025T005614Z
UID:7126-1571421600-1571428800@oacc.cc
SUMMARY:OACC Movie Nights: The Fall of the I-Hotel
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/oacc-movie-nights-the-fall-of-the-i-hotel/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/09/20191018TheFallThumbnail.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191013T140000
DTEND;TZID=America/Los_Angeles:20191013T170000
DTSTAMP:20260506T180439
CREATED:20191004T025855Z
LAST-MODIFIED:20191024T200402Z
UID:7223-1570975200-1570986000@oacc.cc
SUMMARY:Qigong Workshop - A Journey to a Brand-new Self
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/qigong-workshop-a-journey-to-a-brand-new-self-2/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/05/qi-ftrd.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191001
DTEND;VALUE=DATE:20200101
DTSTAMP:20260506T180439
CREATED:20190927T203220Z
LAST-MODIFIED:20200116T022454Z
UID:7207-1569888000-1577836799@oacc.cc
SUMMARY:Transgressions on Humanity: Walls\, Border Detentions & Prisons
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/transgressions-on-humanity-walls-border-detentions-prisons/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/10/201910TransgressionsThumbnail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190929T170000
DTEND;TZID=America/Los_Angeles:20190929T190000
DTSTAMP:20260506T180439
CREATED:20190910T155123Z
LAST-MODIFIED:20191007T194052Z
UID:7132-1569776400-1569783600@oacc.cc
SUMMARY:Sofa Secret Series
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/sofa-secret-series/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/09/sofa_thumbnail-1.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190920T100000
DTEND;TZID=America/Los_Angeles:20190920T183000
DTSTAMP:20260506T180439
CREATED:20190718T224412Z
LAST-MODIFIED:20190923T223243Z
UID:6907-1568973600-1569004200@oacc.cc
SUMMARY:#IMREADY Movement Conference
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/imready-movement-conference/
LOCATION:CA
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/07/imreadyFRTD.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190920
DTEND;VALUE=DATE:20190922
DTSTAMP:20260506T180439
CREATED:20190718T223906Z
LAST-MODIFIED:20190923T223238Z
UID:6901-1568937600-1569110399@oacc.cc
SUMMARY:17th Annual Oakland International Film Festival
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/17th-annual-oakland-international-film-festival/
LOCATION:CA
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/07/filmfest-ftrd.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190919T160000
DTEND;TZID=America/Los_Angeles:20190919T190000
DTSTAMP:20260506T180439
CREATED:20190718T222946Z
LAST-MODIFIED:20190923T223251Z
UID:6893-1568908800-1568919600@oacc.cc
SUMMARY:Building Community in Action Exhibition Reception
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/building-community-in-action-exhibition-reception/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/07/Building-1-FTRD.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20191104
DTSTAMP:20260506T180439
CREATED:20190718T223357Z
LAST-MODIFIED:20191115T185458Z
UID:6898-1568851200-1572825599@oacc.cc
SUMMARY:Aksiyon ng Komunidad: Building Community in Action
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/aksiyon-ng-komunidad-building-community-in-action/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/07/201909BuildingCommunityThumbnail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190915T130000
DTEND;TZID=America/Los_Angeles:20190915T173000
DTSTAMP:20260506T180439
CREATED:20190723T013530Z
LAST-MODIFIED:20190919T175515Z
UID:6929-1568552400-1568568600@oacc.cc
SUMMARY:Red Bean Cantonese Opera’s 23nd Anniversary celebration
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/red-bean-opera-23/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/07/Opera.jpg
ORGANIZER;CN="Red Bean Cantonese Opera House":MAILTO:info@redbeanopera.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190907T180000
DTEND;TZID=America/Los_Angeles:20190907T200000
DTSTAMP:20260506T180439
CREATED:20190802T034241Z
LAST-MODIFIED:20190909T234651Z
UID:6994-1567879200-1567886400@oacc.cc
SUMMARY:Readings from Civil Liberties United: Diverse Voices from the SF Bay Area
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/readings-from-civil-liberties-united-diverse-voices-from-the-sf-bay-area/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/08/CLU-thumbnail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190831T140000
DTEND;TZID=America/Los_Angeles:20190831T160000
DTSTAMP:20260506T180439
CREATED:20190718T222543Z
LAST-MODIFIED:20190903T171123Z
UID:6889-1567260000-1567267200@oacc.cc
SUMMARY:My Father Artist Xu Beihong: Talk by Author Xu Fangfang
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/my-father-artist-xu-beihong/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/07/xf-ftrd.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190824T100000
DTEND;TZID=America/Los_Angeles:20190825T173000
DTSTAMP:20260506T180439
CREATED:20190718T222017Z
LAST-MODIFIED:20190828T165252Z
UID:6884-1566640800-1566754200@oacc.cc
SUMMARY:Oakland Chinatown Streetfest
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/oakland-chinatown-streetfest/
LOCATION:Chinatown\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/07/streetfest-FTRD.png
ORGANIZER;CN="Oakland Chinatown Chamber of Commerce":MAILTO:oaklandctchamber@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190816T180000
DTEND;TZID=America/Los_Angeles:20190816T200000
DTSTAMP:20260506T180439
CREATED:20190621T003055Z
LAST-MODIFIED:20190828T165246Z
UID:6715-1565978400-1565985600@oacc.cc
SUMMARY:OACC Movie Nights: Afghan Cycles
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/oacc-movie-nights-afghan-cycles/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/06/AC_KEYART_INSTAGRAM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190801
DTEND;VALUE=DATE:20190901
DTSTAMP:20260506T180439
CREATED:20190802T033717Z
LAST-MODIFIED:20190912T014455Z
UID:6989-1564617600-1567295999@oacc.cc
SUMMARY:Images of America: Historic Oakland Chinatown
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/images-of-america-historic-oakland-chinatown/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/08/OaklandsChinatownThumbnail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190728T150000
DTEND;TZID=America/Los_Angeles:20190728T170000
DTSTAMP:20260506T180439
CREATED:20190523T212738Z
LAST-MODIFIED:20190805T180811Z
UID:6563-1564326000-1564333200@oacc.cc
SUMMARY:Film screening: Chinese Whispers by Rani P Collaborations
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/film-screening-chinese-whispers-by-rani-p-collaborations/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/05/chinesewhispersbox.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190725T193000
DTEND;TZID=America/Los_Angeles:20190725T223000
DTSTAMP:20260506T180439
CREATED:20190713T134834Z
LAST-MODIFIED:20190810T001016Z
UID:6827-1564083000-1564093800@oacc.cc
SUMMARY:The TOaG Quartet: Album Release Party
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/the-toag-quartet-album-release-party/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/07/300x300TOaG.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190719T193000
DTEND;TZID=America/Los_Angeles:20190719T210000
DTSTAMP:20260506T180439
CREATED:20190627T175638Z
LAST-MODIFIED:20190722T181226Z
UID:6733-1563564600-1563570000@oacc.cc
SUMMARY:Perspectives on Mental Health: Traditional Chinese and Modern Medicine
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/perspectives-on-mental-health-traditional-chinese-and-modern-medicine/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/06/Dr.-Yangs-photo.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190711T183000
DTEND;TZID=America/Los_Angeles:20190711T200000
DTSTAMP:20260506T180439
CREATED:20190531T232927Z
LAST-MODIFIED:20190715T185037Z
UID:6671-1562869800-1562875200@oacc.cc
SUMMARY:Balinese Painting Workshop with I Madé Moja
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/balinese-painting-workshop-with-i-made-moja/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/05/2L0A0790-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190623T143000
DTEND;TZID=America/Los_Angeles:20190623T160000
DTSTAMP:20260506T180439
CREATED:20190522T205128Z
LAST-MODIFIED:20190626T184146Z
UID:6527-1561300200-1561305600@oacc.cc
SUMMARY:The Patty Chu's Chinese Folk Dance Troupe - 2019 Annual Show
DESCRIPTION:REGISTER FOR OPENING RECEPTION\n					\n					\n				\n								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Exhibition Opening Reception				\n				\n				\n						\n					\n			\n						\n				\n									“Elder Voices: Chinatown Legacy Businesses” features stories and portraits from six cultural keepers whose businesses have been and continue to be Chinatown pillars. Oral histories will feature stories about the legacy and contributions of Cam Ahn Restaurant\, Green Fish Market\, Draline Tong Herbs\, Yuen Hop Market\, Imperial Soup\, and the Great China (1950s). Featuring photos by Chinatown Pretty photographer\, Andria Lo.Join us for the opening reception of this extraordinary exhibition on Saturday\, December 9\, 2023 at 1 PM featuring a screening of Drawn from Life: The Creative Legacy of Flo Oy Wong\, a brief discussion with the exhibition curators\, and food from a few of the featured local businesses!   This exhibition will be available to view during OACC’s business hours (Wednesday-Saturday\, 12 PM -5 PM).    								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Drawn from Life: The Creative Legacy of Flo Oy Wong (20 minutes)				\n				\n				\n				\n									As the sixth daughter of Chinese immigrants living in Oakland’s Chinatown in the 1940s-1960s\, Flo Oy Wong was determined to break free of a life of pre-destined invisibility. She began her art career at the age of forty. Her poetry career started at seventy-five. Now eighty-five\, her life came full circle when The Community Rejuvenation Project proposed to paint a mural of her at 723 Webster in Oakland\, the former site of her family’s restaurant\, The Great China. In this film\, Flo’s beginnings in Oakland’s Chinatown come to life once more— this time through the eyes of another artist.  								\n				\n					\n		\n					\n		\n				\n				\n					Meet the Exhibition Artists & Curator				\n				\n				\n				\n					Lead Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n				\n			\n						\n				\n					Andria Lo				\n				\n				\n				\n									Raised in Alaska and Texas\, Andria Lo a freelance editorial and commercial photographer now based in San Francisco Bay Area. With a background in studio art with a degree from University of California Berkeley\, her first photo book\, Chinatown Pretty\, was published in fall of 2020 by Chronicle Books. For more information\, visit http://www.andrialo.com/about. 								\n				\n					\n		\n					\n		\n				\n				\n					Contributing Artist				\n				\n				\n						\n					\n			\n						\n				\n																														\n				\n				\n				\n					William Gee Wong				\n				\n				\n				\n									William Gee Wong is a print journalist\, author\, and amateur historian. A native of Oakland\, California’s Chinatown\, William was previously a journalist for The Wall Street Journal (1970-1979)\, The Oakland Tribune (1979-1996). He also wrote for The San Francisco Chronicle\, San Francisco News Call Bulletin\, San Francisco Examiner\, East West: the Chinese American Journal\, and Asian Week.  William is the author of Yellow Journalist: Dispatches from Asian America\, Images of America: Oakland’s Chinatown\, and co-author of Images of America: Angel Island\, and his forthcoming book Sons of Chinatown\, A Memoir Rooted in China and America to be released in Spring 2024. For more information\, visit https://www.williamgeewong.com. 								\n				\n					\n		\n				\n			\n						\n				\n																														\n				\n				\n				\n					Flo Oy Wong				\n				\n				\n				\n									Flo Oy Wong\, co-founder of the San Francisco-based Asian American Women Artists Association\, is an artist\, poet\, and educator. She is a recipient of three National Endowment for the Arts awards\, and has been a visiting artist at various colleges and universities. She has also been featured in articles in multiple publications. Growing up in Oakland Chinatown\, she spoke her family’s ancestral dialect\, Hoisan-wa. In 2018\, Flo published her art and poetry book\, Dreaming of Glistening Pomelos\, inspired by her childhood. Contemporary Asian Theater Scene presented Wong with their 2022 Image Hero Award. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\nNellie Wong				\n				\n				\n				\n																														\n				\n				\n				\n									Nellie Wong has published four books: Dreams in Harrison Railroad Park\, The Death of Long Steam Lady\, Stolen Moments\, and Breakfast Lunch Dinner. Her poems and essays appear in numerous journals and anthologies\, including This Bridge Called My Back: Writings By Radical Women of Color\, and excerpts from two poems have been permanently installed at public sites at the San Francisco Municipal Railway. A building at Oakland High School is named after her\, she is co-featured in the documentary film\, Mitsuye and Nellie Asian American Poets\, and a poem of hers was nominated for the Pushcart Prize. She traveled to China in the First American Women Writers Tour with Alice Walker\, Tillie Olsen\, and Paule Marshall\, among others. She taught at Mills College and the University of Minnesota\, and is the recipient of the 2022 PEN Oakland/Reginald Lockett Lifetime Achievement Award. 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n				\n				\n					Curator				\n				\n				\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					Roy Chan				\n				\n				\n				\n																														\n				\n				\n				\n									Roy Chan is an Oakland-based oral historian and urban planner committed to using the power of storytelling to build community and empower local residents to have a voice in the local decision-making process. Since 2007\, he has been director of the Oakland Chinatown Oral History Project/ AAPI Elder Voices Project and was previously Co-Executive Director at the Oakland Asian Cultural Center. Roy has previously practiced architecture and city planning in San Francisco\, New York\, and Los Angeles\, and is currently a program director at National CAPACD. Learn more at www.chinatownmemories.org 								\n				\n					\n		\n				\n			\n							\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									This exhibition is made possible by the support of the Senior Assistance Foundation Eastbay (SAFE).
URL:https://oacc.cc/event/the-patty-chus-chinese-folk-dance-troupe-2019-annual-show/
LOCATION:CA
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/05/2019-Annual-Show-Poster300x300.jpg
END:VEVENT
END:VCALENDAR