BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Oakland Asian Cultural Center - ECPv6.16.3//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Oakland Asian Cultural Center X-ORIGINAL-URL:https://oacc.cc X-WR-CALDESC:Events for Oakland Asian Cultural Center REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Los_Angeles BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20220313T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20221106T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20230312T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20231105T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20240310T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20241103T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20250309T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20251102T090000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240622T130000 DTEND;TZID=America/Los_Angeles:20240622T150000 DTSTAMP:20260807T040952 CREATED:20240501T215409Z LAST-MODIFIED:20240815T214302Z UID:18601-1719061200-1719068400@oacc.cc SUMMARY:"Searching for Kapwa" Film Screening and Discussion DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/searchingforkapwa/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/05/EDITED-WEBSITE-THUMBNAIL-1.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240614T120000 DTEND;TZID=America/Los_Angeles:20240727T170000 DTSTAMP:20260807T040952 CREATED:20240516T010352Z LAST-MODIFIED:20250306T184313Z UID:18767-1718366400-1722099600@oacc.cc SUMMARY:"Longing for Attachment" Exhibition DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/longingforattachment/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Exhibitions ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/05/thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240601T120000 DTEND;TZID=America/Los_Angeles:20240601T160000 DTSTAMP:20260807T040953 CREATED:20240408T221152Z LAST-MODIFIED:20240529T004707Z UID:18221-1717243200-1717257600@oacc.cc SUMMARY:AAPI Mental Health & Wellness Jam 2024 DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/aapimentalhealthjam2024/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Upcoming Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/03/thumbnail-4.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240517T190000 DTEND;TZID=America/Los_Angeles:20240517T203000 DTSTAMP:20260807T040953 CREATED:20240405T021110Z LAST-MODIFIED:20240521T223106Z UID:18246-1715972400-1715977800@oacc.cc SUMMARY:Premiere Short Film Documentaries From Anthony Brown’s Asian American Orchestra’s 2018 Performance with Angela Davis and Janice Mirikitani Followed by a Live Performance DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/premierewithanthonybrown/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/04/thumbnail-2.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240511T110000 DTEND;TZID=America/Los_Angeles:20240511T123000 DTSTAMP:20260807T040953 CREATED:20240326T235217Z LAST-MODIFIED:20240521T223138Z UID:18196-1715425200-1715430600@oacc.cc SUMMARY:Movement Workshop: Interwoven Stories of Culture\, Belonging\, and Change\, Facilitated by Ishami Dance Company DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/interwovenstoriesworkshop/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/03/workshop-thumbnail.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240510T200000 DTEND;TZID=America/Los_Angeles:20240510T213000 DTSTAMP:20260807T040953 CREATED:20240321T205611Z LAST-MODIFIED:20240521T223216Z UID:18161-1715371200-1715376600@oacc.cc SUMMARY:Interwoven Stories of Culture\, Belonging\, and Change\, Featuring Ishami Dance Company DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/interwovenstories/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/03/1.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240503T140000 DTEND;TZID=America/Los_Angeles:20240503T153000 DTSTAMP:20260807T040953 CREATED:20240321T194933Z LAST-MODIFIED:20240521T223247Z UID:18136-1714744800-1714750200@oacc.cc SUMMARY:How K-Dramas Can Transform Your Life: A Fireside Chat with Clinician\, Speaker\, Coach\, and Author Jeanie Y. Chang\, LMFT DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/howkdramascantransformyourlife/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/03/thumbnail-2.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240427T130000 DTEND;TZID=America/Los_Angeles:20240427T160000 DTSTAMP:20260807T040953 CREATED:20240412T013856Z LAST-MODIFIED:20240508T202556Z UID:18430-1714222800-1714233600@oacc.cc SUMMARY:Philippine Master Culture Bearers of T’boli\, Yakan\, Kalinga People: Weaving Workshop DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/philippinemasterculturebearers/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/04/weaving-workshop-thumbnail-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240420T120000 DTEND;TZID=America/Los_Angeles:20240420T150000 DTSTAMP:20260807T040953 CREATED:20240319T220527Z LAST-MODIFIED:20240508T202700Z UID:18090-1713614400-1713625200@oacc.cc SUMMARY:Southeast Asian New Year Celebration DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/southeastasianny/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/03/Event-flyer.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240329T120000 DTEND;TZID=America/Los_Angeles:20240608T170000 DTSTAMP:20260807T040953 CREATED:20240207T213246Z LAST-MODIFIED:20240523T221035Z UID:17812-1711713600-1717866000@oacc.cc SUMMARY:"Dalit Dreamlands: Toward an Anti-Caste Future" Exhibition and Opening Reception DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/dalitdreamlands/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Current Exhibitions ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/02/Square-with-text.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240324T130000 DTEND;TZID=America/Los_Angeles:20240324T140000 DTSTAMP:20260807T040953 CREATED:20240129T232544Z LAST-MODIFIED:20240405T012530Z UID:17635-1711285200-1711288800@oacc.cc SUMMARY:"Sons of Chinatown: A Memoir Rooted in China and America" Book Release Reading with William Gee Wong DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/sonsofchinatown/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/01/bill-wong-event-500-x-500-px.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240314T193000 DTEND;TZID=America/Los_Angeles:20240316T193000 DTSTAMP:20260807T040953 CREATED:20240201T201236Z LAST-MODIFIED:20240318T172836Z UID:17678-1710444600-1710617400@oacc.cc SUMMARY:Dancing Moons Festival 2024 DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/dancingmoons2024/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/02/dancing-moons-jpeg.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240306T120000 DTEND;TZID=America/Los_Angeles:20240324T170000 DTSTAMP:20260807T040953 CREATED:20240214T214248Z LAST-MODIFIED:20240318T234601Z UID:18007-1709726400-1711299600@oacc.cc SUMMARY:Passage: A Dancing Moons Festival Art Exhibition DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/passageexhibit/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Current Exhibitions ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/02/oakland-ballet-exhibition.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240301T190000 DTEND;TZID=America/Los_Angeles:20240301T203000 DTSTAMP:20260807T040953 CREATED:20240123T233427Z LAST-MODIFIED:20240318T205738Z UID:17390-1709319600-1709325000@oacc.cc SUMMARY:"Method Sampling: How to Build the Future Together" Documentary Film Premiere Screening & Discussion with Ensemble Mik Nawooj DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/methodsampling/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/01/method-sampling-jpeg.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240229T160000 DTEND;TZID=America/Los_Angeles:20240229T190000 DTSTAMP:20260807T040953 CREATED:20240209T225744Z LAST-MODIFIED:20240318T213955Z UID:17865-1709222400-1709233200@oacc.cc SUMMARY:"Love & Protect" Mural Series Closing Reception and AR Workshop DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/loveprotectclosingreception/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/02/reception.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240215T190000 DTEND;TZID=America/Los_Angeles:20240215T203000 DTSTAMP:20260807T040953 CREATED:20240103T201419Z LAST-MODIFIED:20240318T210038Z UID:16970-1708023600-1708029000@oacc.cc SUMMARY:ALTERNATIVE FACTS: The Lies of Executive Order 9066 DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/alternative-facts/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/01/alternative-facts.jpg ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240203T110000 DTEND;TZID=America/Los_Angeles:20240203T160000 DTSTAMP:20260807T040953 CREATED:20240103T205142Z LAST-MODIFIED:20240318T210731Z UID:16991-1706958000-1706976000@oacc.cc SUMMARY:Lunar New Year x Black History Month 2024: Celebrating Asian & African-American Solidarity DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/lnybhm2024/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2024/01/Screen-Shot-2023-12-19-at-12.17.04-PM-1-1022x1024-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240126T190000 DTEND;TZID=America/Los_Angeles:20240126T210000 DTSTAMP:20260807T040953 CREATED:20231220T003936Z LAST-MODIFIED:20240318T211426Z UID:16907-1706295600-1706302800@oacc.cc SUMMARY:"The Six: The Untold Story of RMS Titanic’s Chinese Passengers" Film Screening & Discussion with Research Team Members DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/thesix/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/12/thumbnail-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20240126T120000 DTEND;TZID=America/Los_Angeles:20240302T170000 DTSTAMP:20260807T040953 CREATED:20240112T003828Z LAST-MODIFIED:20240318T214058Z UID:17315-1706270400-1709398800@oacc.cc SUMMARY:Love and Protect Mural Series DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/loveprotect/ LOCATION:CA CATEGORIES:Featured,Past Exhibitions ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2024/01/murals-jpeg.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20231209T130000 DTEND;TZID=America/Los_Angeles:20231209T150000 DTSTAMP:20260807T040953 CREATED:20231118T093621Z LAST-MODIFIED:20240206T204413Z UID:16612-1702126800-1702134000@oacc.cc SUMMARY:Elder Voices: Chinatown Legacy Businesses Exhibition Opening Reception DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/elder-voices-opening-reception/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Upcoming Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/11/roy-chan-exhibit-reception-thumbnail-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20231117T140000 DTEND;TZID=America/Los_Angeles:20231117T153000 DTSTAMP:20260807T040953 CREATED:20230915T222835Z LAST-MODIFIED:20240318T212013Z UID:15919-1700229600-1700235000@oacc.cc SUMMARY:“Everything I Learned\, I Learned in a Chinese Restaurant: A Memoir” Book Launch with Curtis Chin DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/everything-i-learned-i-learned/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/09/thumbnail-5-1024x1024-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20231011T130000 DTEND;TZID=America/Los_Angeles:20240122T170000 DTSTAMP:20260807T040953 CREATED:20231118T084415Z LAST-MODIFIED:20240321T200858Z UID:16549-1697029200-1705942800@oacc.cc SUMMARY:Elder Voices: Chinatown Legacy Businesses Exhibition DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/elder-voices/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Exhibitions ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/11/roy-chan-exhibit-reception-thumbnail-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230916T170000 DTEND;TZID=America/Los_Angeles:20230916T200000 DTSTAMP:20260807T040953 CREATED:20230620T202749Z LAST-MODIFIED:20240318T213247Z UID:14053-1694883600-1694894400@oacc.cc SUMMARY:Save the Date: Vibe\, Vine\, & Vino Fundraiser and Mixer DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/vibevinevino-2/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/06/Save-the-Date-Vibe-Vine-Vino-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230916T080000 DTEND;TZID=America/Los_Angeles:20230925T170000 DTSTAMP:20260807T040953 CREATED:20230915T215912Z LAST-MODIFIED:20231003T205412Z UID:15865-1694851200-1695661200@oacc.cc SUMMARY:7th Street’s Secret Sauce: Celebrating Everett and Jones Barbeque’s 50-Year Legacy DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/everettjones/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Past Exhibitions ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/09/EJ-thumbnail-300x300-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230913T150000 DTEND;TZID=America/Los_Angeles:20230913T170000 DTSTAMP:20260807T040953 CREATED:20230620T201251Z LAST-MODIFIED:20240318T212333Z UID:14037-1694617200-1694624400@oacc.cc SUMMARY:Book Reading with Grace Lin DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/chinesemenu/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/06/Grace-Lin-thumbnail-3.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230720T080000 DTEND;TZID=America/Los_Angeles:20230720T170000 DTSTAMP:20260807T040953 CREATED:20230720T080740Z LAST-MODIFIED:20230915T213445Z UID:14540-1689840000-1689872400@oacc.cc SUMMARY:"Celebrating Our HeART-filled Heritage" Performing Arts Series DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/celebrating-our-heart-filled-heritage-performing-arts-series/ LOCATION:CA CATEGORIES:Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/07/Screenshot-2023-07-05-at-6.11-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230610T120000 DTEND;TZID=America/Los_Angeles:20230610T160000 DTSTAMP:20260807T040953 CREATED:20230427T054910Z LAST-MODIFIED:20230726T131908Z UID:13908-1686398400-1686412800@oacc.cc SUMMARY:AAPI Mental Health and Wellness Jam DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/aapi-wellness-jam/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/04/PEERS-Mental-Health-Instagram-Post-Square-2.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230602T193000 DTEND;TZID=America/Los_Angeles:20230602T213000 DTSTAMP:20260807T040953 CREATED:20230329T223404Z LAST-MODIFIED:20230606T200648Z UID:13551-1685734200-1685741400@oacc.cc SUMMARY:Celebrating Our HeART-filled Heritage: Pasifika Futurism\, the SPULU Experience DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/cohh-spulu/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/03/the-spulu-experience-11-square-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230528T140000 DTEND;TZID=America/Los_Angeles:20230528T170000 DTSTAMP:20260807T040953 CREATED:20230419T205257Z LAST-MODIFIED:20230530T172120Z UID:13547-1685282400-1685293200@oacc.cc SUMMARY:Strong Like Bamboo: Stories of Resilience for Healing in the Era of Anti-AAPI Violence DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/strong-like-bamboo/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/04/Sunday-May-28-2023-200pm-1-1.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230519T180000 DTEND;TZID=America/Los_Angeles:20230519T200000 DTSTAMP:20260807T040953 CREATED:20230406T221701Z LAST-MODIFIED:20230522T191245Z UID:13557-1684519200-1684526400@oacc.cc SUMMARY:Find Your Crew: Connecting Bay Area Filmmakers and Content Creators DESCRIPTION:A concert of Indian\, Persian and Afghan classical music featuring Arjun K. Verma\, Pezhham Akhavass\, Mazdak Alipour\, and Eman Hashimi   — \n \n \n \n Friday\, September 11\, 20267-9 pm$40 General Admission  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Interweaving brings together four virtuoso musicians from the Indian\, Persian\, and Afghan musical traditions in a rare meeting of some of Asia’s richest classical musical cultures. Featuring sitar\, kamancheh\, tabla\, daf\, and tombak\, this performance explores the deep historical connections and living dialogue between these traditions through improvisation\, virtuosity\, and collaborative creation. The very name of the Indian sitar is derived from Persian seh-tar (“three strings”)\, hinting at the centuries of artistic exchange between the Indian subcontinent and Persia.    Building on this shared heritage\, the musicians weave together intricate rhythmic cycles\, expressive melodic modes\, and spontaneous improvisation\, revealing both the common threads and distinctive voices of these musical lineages. Interweaving invites audiences into a shared sonic landscape where rhythm\, melody\, and improvisation transcend geography\, honoring centuries of cultural tradition and exchange\, while creating something entirely new in the moment.    Interweaving is presented by the Oakland Asian Cultural Center\, made possible through the Musical Grant Program\, administered by InterMusic SF\, and supported by the Clarence E. Heller Charitable Foundation and the Hewlett Foundation.    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Reserve Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Arjun K. Verma is both a tradition-bearer and innovator in the world of North Indian Classical music. With over three decades of performance experience at venues including the United Nations\, the Fillmore\, and Prague Castle\, Arjun has emerged with a unique voice on the sitar – both within the tradition of North Indian Classical Music\, and through innovative cross-genre collaborations.    Hailed by the New York Times as a “fine sitarist\,” Arjun shares his cultural heritage in a manner that is fresh and modern\, while maintaining high standards of traditional integrity. His work is influenced by his upbringing as an Indian Classical musician in the West\, trained by Maestro Ali Akbar Khan. Arjun’s performance repertoire has stretched the limits of the sitar\, and his recording and composing work encompasses TV\, opera\, film\, and video games. He has recorded with artists including the London Symphony Orchestra\, Pandit Swapan Chaudhuri\, Sri Alam Khan\, and Grammy-winning jazz arranger and pianist John Beasley.    Learn more at arjun-verma.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Pezhham Akhavass is an accomplished musician\, percussionist\, multi-instrumentalist\, educator\, music director\, producer\, Voting Member of the Recording Academy (GRAMMY)\, and instructor known for his mastery of the tombak (Persian goblet drum)\, and daf (Persian frame drum). His exceptional talent and unique rhythmic approach have distinguished him as one of the most notable musicians of his generation.    Born in Iran in 1980\, Pezhham embarked on his musical journey under the guidance of his renowned father\, Mostafa Akhavass. He began studying tombak at age five with the esteemed Ostad Naser Farhanghfar\, later continuing with Mr. Saeid Roudbary. He holds BA and MA degrees in music from San Francisco State University\, and began studying tabla with Ustad Zakir Hussain in 2011.    Pezhham’s career includes performances at prestigious festivals and concert halls across Iran and internationally with renowned vocalist Shahram Nazeri\, and collaborations with Ostad Hossein Alizadeh and Ustad Zakir Hussain.    Learn more at www.pezhham.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Mazdak (Moslem) Alipour is a visionary Kamancheh player\, vocalist\, and composer\, with a distinguished career spanning over 30 years. Born into a musical lineage in Khorramabad\, Iran\, he began his journey under the tutelage of his father\, the legendary maestro Faraj Alipour.    Mazdak is a celebrated artist on the global stage\, earning prestigious recognition for innovation in Persian music:    • Global Music Awards: Silver and Bronze Medals   • Silk Road Project: Featured soloist conducted by Academy Award-winning Tan Dun   • UNESCO: Distinguished performer at “Mozart Day” in France   • UCLA: specialized performances and cultural initiatives   Based in Los Angeles\, Mazdak’s mastery of musical fusion blends ancient Persian heritage with contemporary global genres. With over 20 albums and the publication of “Taal” (a seminal book on Lori music)\, he continues to influence the world music scene through film scoring\, international tours\, and advanced music education.    Learn more at MazdakAlipour.com    \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eman Hashimi\, one of today’s most sought-after Afghan percussionists\, is widely recognized as the future of Afghan tabla. Born into the celebrated Hashimi musical family of Kabul’s historic Kharabat quarter\, he is the son of legendary maestro Ustad Toryalai Hashimi\, a pioneer of Afghan tabla.    A child prodigy\, Eman gave his first concert at age nine alongside his father\, later studying under world-renowned Pandit Swapan Chaudhuri\, with whom he became one of the youngest tabla players to perform in duet. His artistry bridges Afghan classical and folk traditions with the Punjab Gharana of tabla.    Eman has performed at the Kennedy Center\, San Francisco World Music Festival and beyond\, collaborating across genres. He also serves as founder and Director of Percussion at PACA\, preserving and promoting Afghanistan’s musical heritage at a time when music is banned in its homeland.    Learn more at emanhashimi.com URL:https://oacc.cc/event/findyourcrew/ LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States CATEGORIES:Featured,Past Events ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2023/04/6.png ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc END:VEVENT END:VCALENDAR