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X-WR-CALDESC:Events for Oakland Asian Cultural Center
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DTSTART;TZID=America/Los_Angeles:20190621T180000
DTEND;TZID=America/Los_Angeles:20190802T180000
DTSTAMP:20260424T191614
CREATED:20190531T222821Z
LAST-MODIFIED:20190805T180820Z
UID:6661-1561140000-1564768800@oacc.cc
SUMMARY:The Spirit of Bali Exhibition
DESCRIPTION:[vc_row][vc_column][vc_single_image image=”6676″ img_size=”1000×400″ alignment=”center”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Opening Reception: Friday\, June 21\, 2019\, 6:00 – 8:00 pm \n  \nI Madé Moja comes from Batuan\, a traditional arts village in Bali\, known for its classical music and dance\, fine woodcarving and unique painting style.  These time-honored traditions are passed from one generation to the next and continue to thrive\, despite great changes in the culture and economy of Bali. Moja’s father\, renowned painter I Madé Budi\, passed on the amazing ink and watercolor technique of Batuanto his son\, who has taken it in new directions here in the U.S. The technique starts with a pen and ink sketch\, which is then shaded with Chinese ink for a 3-dimensional effect. Watercolor or acrylic paint is added in a series of layers or “washes” and finished with bright highlights to complete the sense of depth and dimension.  The compositions are often very detailed and complex\, drawing from Hindu mythology\, traditional village life\, and nature. This style and caliber of Balinese painting is rarely seen here in the United States. Moja’s work has been shown internationally and featured in numerous books detailing the art and culture of Bali.  Since moving to the Bay Area\, Moja has branched out artistically.  In addition to teaching and experimenting with new themes in his painting. Moja has also worked extensively with ShadowLight Productions\, a non-profit theater company based in San Francisco that takes its inspiration from classical Indonesian “wayang kulit” (shadow puppet theater).[/vc_column_text][/vc_column][/vc_row]
URL:https://oacc.cc/event/the-spirit-of-bali-exhibition/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/05/2L0A0790-e1559342606860.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190607T120000
DTEND;TZID=America/Los_Angeles:20190705T180000
DTSTAMP:20260424T191614
CREATED:20190521T013153Z
LAST-MODIFIED:20190715T190212Z
UID:6553-1559908800-1562349600@oacc.cc
SUMMARY:Shadows and Light
DESCRIPTION:[vc_row][vc_column][vckit_image_banner tutorial=”” image=”6560″][vc_column_text]ARTogether\, an Oakland-based nonprofit organization that provides creative spaces and resources for refugees and immigrants in the Bay Area\, presents ‘Shadows and Light’\, an exhibition of the works of three promising\, young female artists from the Bay Area. Through diverse artistic mediums\, Samira Akbari\, Somaieh Amini\, and Farnaz Tasbihgoo explore their idea of home\, both the unknown and the familiar. \nPhotographer Farnaz Tasbihgoo has degrees in fine art and photography as well as an MFA in photography. Born in Tehran and based in the Bay Area\, she is both an artist and a teacher\, and is passionate about imparting the love of art (and science!) to young children. Her collection\, titled “Lost childhood”\, explores the material remains of war\, of homes abandoned\, and childhoods uprooted. Artist/sculptor Samira Akbari brings her background in architecture and design to each of her pieces. Through her work\, she explores the human condition\, the faces\, the bodies\, and the stories they tell. Samira has lived and studied in Iran\, India and US and in addition to creating art\, works at the Academy of Art in San Francisco. Somaieh Aminiis a painter and artist whose portfolio covers a wide variety of mediums and styles. Having lived in Iran and Italy before moving to the United States\, Somaieh draws influences from many cultures and aesthetics. Her collection for this exhibition\, titled “My neighborhood”\, is the artist’s way of building a connection to her new home in the United States. \nThe exhibition runs from June 7th to July 5th. \nCo-presented by ARTogether and Oakland Asian Cultural Center.[/vc_column_text][/vc_column][/vc_row]
URL:https://oacc.cc/event/shadows-and-light/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/05/plantbox.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190429
DTEND;VALUE=DATE:20190603
DTSTAMP:20260424T191614
CREATED:20190415T183301Z
LAST-MODIFIED:20190627T005831Z
UID:6416-1556496000-1559519999@oacc.cc
SUMMARY:Our Bojagi: Bojagi Artworks from Claire Lilienthal School
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text][/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]Our Bojagi: Bojagi Artworks from Claire Lilienthal School \nBojagi is a general term for all wrapping cloths in Korea. By sewing together small\, leftover cloths of various shapes and skillfully juxtaposing vibrant colors\, the unknown makers of traditional bojagi created exciting\, strikingly contemporary designs. Students in the Korean immersion program at Claire Lilienthal School create bojagi as one of their cultural activities working with local textile artist Youngmin Lee. Some students have been making bojagi for several years\, preserving and transferring their teacher’s knowledge of the traditional techniques and familiar forms as shown in this exhibition. \n  \nClaire Lilienthal K-8 Alternative School inspires each student to achieve their maximum potential in an academically\, culturally\, and socially inclusive environment. The school hosts Northern California’s only public school Korean language immersion program. Welcoming both native Korean speaking students as well as English speakers\, the Korean Immersion Program (KIP) seeks to achieve full bilingualism and biliteracy in Korean and English. KIP teachers\, all bilingual\, provide KIP students with the same academic content instruction as that provided General Education students\, but do so in both languages consistent with the proven dual-path language immersion model. KIP is a K-5 Korean/English Two-Way Immersion educational program designed to help students develop the ability to speak\, read and write in two languages at the same time. Along with proven academic and cognitive benefits\, developing bilingual skills enriches a child’s lived experience by exposing them to different cultures early in life. \n  \nCo-presented by the Oakland Asian Cultural Center and Claire Lilienthal School.[/vc_column_text][/vc_column][/vc_row]
URL:https://oacc.cc/event/our-bojagi-bojagi-artworks-from-claire-lilienthal-school/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/04/bojagi_poster-FTRD.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190310T020000
DTEND;TZID=America/Los_Angeles:20190310T160000
DTSTAMP:20260424T191614
CREATED:20190123T030052Z
LAST-MODIFIED:20190404T165516Z
UID:5415-1552183200-1552233600@oacc.cc
SUMMARY:Resistance at Tule Lake
DESCRIPTION:Film Showing\nSunday\, March 10\, 2019 | 2:00 pm – 4:00 pm\n“Resistance at Tule Lake” tells the long-suppressed story of incarcerated Japanese Americans who defied the government by refusing to swear unconditional loyalty to the U.S. Thought this was an act of protest and family survival\, they were branded as “disloyals” by the government and packed into the newly designated Tule Lake Segregation Center. Co-sponsored by Oakland Public Library. \nClick here for more info
URL:https://oacc.cc/event/resistance-at-tule-lake/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oacc.cc/wp-content/uploads/2019/01/feedaf7a-8fee-4070-a4bb-9326c84cde3d.jpg
ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190309
DTEND;VALUE=DATE:20190422
DTSTAMP:20260424T191614
CREATED:20190404T145723Z
LAST-MODIFIED:20190520T205447Z
UID:6343-1552089600-1555891199@oacc.cc
SUMMARY:Immigration Emergency: In Defense & Defiance
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text][/vc_column_text][/vc_column][vc_column width=”1/2″][vc_empty_space height=”50px”][vc_column_text] \nExhibition Dates: Saturday\, March 9\, 2019 – Sunday\, April  21\, 2019\nSan Francisco Poster Syndicate\, poster artists collective based in San Francisco\, silkscreen prints live to celebrate the new OACC exhibition\, Immigration Emergency: In Defense & Defiance. More than 30 local artists participate in the exhibition\, which seeks to educate\, agitate and create solidarity around a broad range of issues[/vc_column_text][vc_video link=”https://www.youtube.com/watch?v=9cET68fr-vc&t=3s” css=”.vc_custom_1555459480317{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1555459513865{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”] \nVideo by Luis Barajas on “Immigration Emergency: In Defense & Defiance\,” an exhibition of political graphics and photography.\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_column_text] \nWe Are Sanctuary\, Art Hazelwood\, screenprint\, 2017 \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text] \n \nPatrick Piazza\, Separation = Torture Abolish I.C.E.\, screenprint\, 2018 \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text] \n \nJoanna Ruckman\, Create Sanctuary- Immigration is as American as Apple Pie\, screenprint\, 2018 \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text] \n \nThe Trump Agenda\, Art Hazelwood\, screenprint\, 2017 \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][/vc_column][vc_column width=”1/4″][vc_column_text] \n \nPatrick Piazza\, Defend DACA!\, screenprint\, 2018 \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text] \n \nJoanna Ruckman\, Solidarity\, screenprint\, 2017 \n[/vc_column_text][/vc_column][vc_column width=”1/4″][/vc_column][/vc_row]
URL:https://oacc.cc/event/immigration-emergency-in-defense-defiance/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
ATTACH;FMTTYPE=image/png:https://oacc.cc/wp-content/uploads/2019/04/FTRDin_defence_panel_banner_small-1-1024x450.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181108T173000
DTEND;TZID=America/Los_Angeles:20190116T210000
DTSTAMP:20260424T191614
CREATED:20181026T222546Z
LAST-MODIFIED:20190520T205540Z
UID:4937-1541698200-1547672400@oacc.cc
SUMMARY:Crossing Boundaries: Calligraphies In Conversation
DESCRIPTION:Crossing Boundaries \nCalligraphies\nIN\nConversation\n5TH Annual International Exhibition\nOpening Reception\nThursday\, November 8\, 2018\n5:30 – 9:00 PM\nAn Exhibition of Asian Multicultural Calligraphy\, Ceramics & Cuisine \nExhibition Dates: November 8\, 2018 – January 16\, 2019\n  \n \n\nRSVP HERE
URL:https://oacc.cc/event/crossing-boundaries-calligraphies-in-conversation/
LOCATION:CA
CATEGORIES:Past Exhibitions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181005T180000
DTEND;TZID=America/Los_Angeles:20181005T180000
DTSTAMP:20260424T191614
CREATED:20180906T231523Z
LAST-MODIFIED:20190404T152849Z
UID:4765-1538762400-1538762400@oacc.cc
SUMMARY:The Hinabi Project:  Weaving Peace and Dreams ~ Textile Arts of Mindanao
DESCRIPTION:EXHIBITION:  October 5\, 2018 through November 4\, 2018 ~ Free and open to the public \nOPENING RECEPTION & CURATOR TALK:  Friday\, October 5\, 2018 ~ Free and open to the public \n The Hinabi Project (THP) brings to the East Bay the unique textile art of the weaving communities of Mindanao Mandaya\, Bagobo\, Higaonon\, T’boli\, Blaan\, Yakan\, Tausug\, Maranao and the Maguindanao. Traditional weaving was circumscribed by ritual and ceremonies of the life-cycle birth\, marriage and death. The fabrics produced were meant to address these ceremonial needs. Weaving was a contemplative and peaceful endeavor for the women of these communities. Textiles also serve as peace offerings to resolve community conflicts and uneasy alliances.  With the new demands of political determinism\, new ideologies\, and the consumer technologies — what typically would be a peaceful activity has been disrupted but the indigenous weavers continued their craft throughout the twist and turns of the country’s political fortunes. Weaving was and still has been for most\, a means for additional income to an essentially peasant/farmer subsistence economy. Now\, they also struggle between the tenets of traditional weaving customs and the demands of the local and tourist market while working in social conditions less conducive to weaving. With this disruption\, the continuity of the indigenous weaving tradition\, the passing on of its heritable designs and technique\, and the self-pride and worth of work is a cause for grave concern. Through this exhibit\, The Hinabi Project hopes to highlight the possibility of evolving newer concepts of design and work\, thereby\, encourage other designers\, weaving artisans\, and scholars to talk about their future direction. \nPresented by Philippine American Writers and Artists’ (PAWA) The Hinabi Project in collaboration with National Commission for Culture and the Arts (NCCA) of the Philippines\, Non-Timber Forest Products-Exchange Programme (NTFP-EP) CustomMade Crafts Center\, the Philippine Department of Tourism in San Francisco\, and the Philippine Consulate General in San Francisco.
URL:https://oacc.cc/event/the-hinabi-project-weaving-peace-and-dreams-textile-arts-of-mindanao/
LOCATION:CA
CATEGORIES:Past Exhibitions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180916T170000
DTEND;TZID=America/Los_Angeles:20180916T200000
DTSTAMP:20260424T191614
CREATED:20180829T175909Z
LAST-MODIFIED:20190404T153122Z
UID:4707-1537117200-1537128000@oacc.cc
SUMMARY:Filipino-American History during the 1965-1970 Grape strikes - Book Reading / Film Screening / Photography Exhibition
DESCRIPTION:Book Reading / Film Screening / Photography Exhibition\nFilm: Delano Manongs: Forgotten Heroes of the United Farm Workers\nDiscussion and Q & A with filmmaker Marissa Aroy\, photographer X who chronicled the 1965-1970 grape strike and boycott for Time Magazine\, and Patty Enrado who will read from her book A Village in the Fields.\nSunday\, September 16\, 5:00-8:00 PM
URL:https://oacc.cc/event/filipino-american-history-during-the-1965-1970-grape-strikes-book-reading-film-screening-photography-exhibition/
LOCATION:CA
CATEGORIES:Past Events,Past Exhibitions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180909T020000
DTEND;TZID=America/Los_Angeles:20180909T170000
DTSTAMP:20260424T191614
CREATED:20180717T223122Z
LAST-MODIFIED:20190404T153141Z
UID:4568-1536458400-1536512400@oacc.cc
SUMMARY:Opening Reception: The Forbidden Book: The Philippine-American War in Political Cartoons Presented and Curated by: Abraham Ignacio
DESCRIPTION:THE FORBIDDEN BOOK uses political cartoons from 1898 to 1906 to chronicle a little-known war between the United States and the Philippines that lasted over 15 years\, in which 126\,000 U.S. troops were deployed and hundreds of thousands of Filipinos were killed. Today\, few Americans know about the brutal suppression of Philippine independence or the anti-war movement led by the likes of writer Mark Twain\, peace activist Jane Addams\, journalist Joseph Pulitzer\, steel magnate Andrew Carnegie\, labor leader Samuel Gompers\, and Moorfield Storey\, first president of the NAACP. These cartoons glorify manifest destiny; portray Filipinos\, Puerto Ricans\, Cubans\, Hawaiians\, Chamorros\, and other colonials as dark-skinned savages in need of civilization; and were used to justify a war at a time when three African Americans–on average–were lynched every week across the south\, and when the Supreme Court approved the “separate but equal” doctrine.
URL:https://oacc.cc/event/opening-reception-the-forbidden-book-the-philippine-american-war-in-political-cartoons/
LOCATION:CA
CATEGORIES:Past Exhibitions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180429T020000
DTEND;TZID=America/Los_Angeles:20180429T200000
DTSTAMP:20260424T191614
CREATED:20180426T010842Z
LAST-MODIFIED:20190404T154023Z
UID:4272-1524967200-1525032000@oacc.cc
SUMMARY:Grand Opening: An Exhibition of Chinese Painting and Calligraphy
DESCRIPTION:Oakland Chinatown Chamber of Commerce\nand\nSan Francisco Chinese American Association of Commerce\npresent\nAn Exhibition of Chinese Painting and Calligraphy\nGrand Opening\nSunday\, April 29\, 2018 / 2pm\nOakland Asian Culture Center\n388 Ninth Street\, Suite 290 Oakland\, CA 94602
URL:https://oacc.cc/event/grand-opening-an-exhibition-of-chinese-painting-and-calligraphy/
LOCATION:CA
CATEGORIES:Past Exhibitions
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