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DTSTART;TZID=America/Los_Angeles:20240614T120000
DTEND;TZID=America/Los_Angeles:20240727T170000
DTSTAMP:20260409T162251
CREATED:20240516T010352Z
LAST-MODIFIED:20250306T184313Z
UID:18767-1718366400-1722099600@oacc.cc
SUMMARY:"Longing for Attachment" Exhibition
DESCRIPTION:Longing for Attachment\nExhibition Dates: June 14 – July 27\, 2024\nARTogether and Oakland Asian Cultural Center co-present “Longing for Attachment\,” an exhibition curated by Bushra Gill featuring 30+ Bay Area 1st/2nd generation immigrant and refugee artists reflecting on the notion of attachments. \nAs immigrants\, refugees\, and their descendants\, we make choices on what to hold onto and what to let go of when moving to another country or culture. Being too attached to a place or way of being can make it hard to form connections to anything new. But our connection to a place is also related to our quality of life and well-being– it links us to neighborhoods and communities where we have lived.  Anyone who has migrated from another country or grown up in an immigrant family knows these attachments run deep and true\, not needing to be present to have a prominent place in our hearts. \nWe invite you to join us in reflection of our relationships to attachment\, and to celebrate these Bay Area refugee\, immigrant\, and children of immigrant artists. \nExhibition Dates: June 14 – July 27\, 2024 \nGallery Hours: Wednesdays through Saturdays\, 12 PM – 5 PM \nLocation: Oakland Asian Cultural Center \n388 9th St\, Ste 290\, Oakland\, CA \n\nCheck out the accompanying audio tour for this exhibition\, facilitated by the curator Bushra Gill:\nhttps://www.youtube.com/watch?v=FewN3Nu0o8o \n\nCurator\n\n \nBushra Gill is interested in finding order within the chaos of everyday life through art. She was born in Karachi\, Pakistan\, and emigrated to Houston\, Texas\, with her family as a small child. Drawn to art from a young age\, she graduated from Pratt Institute in 1994\, with a BFA in sculpture. She spent many years of working as a museum educator at various galleries and museums including The Museum of Modern Art\, The Drawing Center and The Rotunda Gallery\, while also working as a studio assistant to various artists including Maya Lin\, Ursula von Rydingsvard and Maria Elena Gonzalez\, as well as a career as a clothing designer and boutique owner in New York. In 2009\, she moved to northern California with her family and returned to making art. In recent years\, Gill has participated in many exhibitions in galleries across the United States. \nExhibiting Artists\nAmanda Messina Gerodias \nAnita Sulimanovic \nBushra Gill \nChristina Xu \nChupis \nDion \nEva Agus \nEzra Mara \nFernanda Martinez \nGlish Group (Timofey Glinin & Anastasia Shubina) \nHargun Mahal Mann \nJaide Lin \nLark \nLeón Hernandez \nLeyla Jamil Rzayeva \nLinah Sofi \nLorraine Lawson \nMariel Paat \nMartin Rodriguez Serrano \nMichelle Lin \nNarges Valibeigi \nNgân Vũ \nNhien Le \nPeter Gee \nRenacimiento \nRia Sharma \nRussel Arelis \nSalma Arastu \nShooting Within \nTatiana Carvalho \nUjjayini Sikha \nVreni Michelini Castillo \nYouBeen Kim \nYuting Wang \nPerforming at the Opening Reception\n\nNadhi Thekkek (@navadancesf) is a dancer\, choreographer\, and the Artistic Director of Nava Dance Theatre. Nadhi uses the south Indian dance form of bharatanatyam to navigate place\, identity\, and politics through the lens of her lived experience as a child of immigrants and an unapologetic South Asian\, diasporic woman. She reimagines how bharatanatyam can serve marginalized narratives that need to occupy space in the US right now. Her latest work “Rogue Gestures/Foreign Bodies” sources community interviews\, historical texts\, and poetry to explore the intersections of labor\, agency\, and belonging in our South Asian ancestry. Through Nava Dance Theatre\, Nadhi also produces and co-facilitates the Unrehearsed Artist Residency Program\, where South Asian dancemakers create art that challenges the status quo.  For more information on Nadhi\, visit www.navadance.org.\n \nRoopa Mahadevan (@roopama) is a leading second-generation Indian classical and crossover vocalist in the American diaspora known for her powerful\, emotive voice and collaborative versatility. She leads Roopa in Flux\, an ensemble featuring musicians in jazz\, soul/R&B\, and various global traditions\, directs the innovative choir Navatman Music Collective\, and sings for leading bharathanatyam/contemporary dancers. She is a soloist on Grammy Award-winning Calling All Dawns\, and has been in residence at Banff Center for Arts and Creativity\, Hedgebrook\, MASS MOCA\, and Ryder Farm. FOr more information visit\, www.roopamahadevan.com.
URL:https://oacc.cc/event/longingforattachment/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
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ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
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DTSTART;TZID=America/Los_Angeles:20240801T120000
DTEND;TZID=America/Los_Angeles:20240907T170000
DTSTAMP:20260409T162251
CREATED:20240709T234004Z
LAST-MODIFIED:20240909T184423Z
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SUMMARY:Precious Beings Exhibition & Closing Reception
DESCRIPTION:PRECIOUS BEINGS\n Finding the connections between endangered ecosystems and the violence inflicted upon Indigenous women.   \nExhibition Dates:\nAug. 1\, 2024 – Sept. 7\, 2024\n\nClosing Reception: Wednesday\, Sept. 4\, 2024\, 5 PM- 7 PM \n(Link to Register Below)\n\nWestern scientific thought has long approached both nature and people of color as territories to be dominated\, inspected\, and mined for information and resources. Ecofeminism has made persuasive arguments connecting women and nature. \nKim Shuck’s (Cherokee) beadwork seeks to encourage more awareness of the biome around us and our place in that biome. Curious creatures of all kinds populate Kim’s beaded world. It is a world created bead by bead not to question or harvest but to recognize and acknowledge relationships and community. These precious beings are not fragile\, though they have been subjected to violent environmental change. We are all subject to these changes. \nBarbara Mumby’s (Patawomeck\, Pamunkey\, and Mattaponi) portraits of women seek to shift regressive narratives about how beauty is defined\, particularly for Indigenous women and women of color. The artist creates work\, not to cater to the male gaze\, but to shift power into the hands of the sitter. Intimate stories of family\, love\, trials\, and victories are subversively woven into each brush stroke\, resulting in large-scale\, vibrant works that force viewers to acknowledge their presence and force. These women refuse to be ignored\, sexualized\, erased\, or defined by others. \nTogether\, Shuck’s and Mumby’s work sit in dialogue with one another. Interwoven threads reach between and connect our endangered animals and plants to the silencing of and violence inflicted upon Indigenous women. \nThis exhibition’s closing reception will take place on Wednesday\, Sept. 4\, 2024\, 5 PM – 7 PM.  \n  \nGallery Hours: Wednesdays through Saturdays\, 12 PM – 5 PM \nLocation: Oakland Asian Cultural Center \n388 9th St\, Ste 290\, Oakland\, CA \n\n\n\nRegister\n \n\nFeatured Artists\n \nBarbara Mumby (Patawomeck\, Pamunkey\, and Mattaponi) descends from the Powhatan Confederacy\, specifically the Patawomeck\, Pamunkey\, and Mattaponi Peoples. She was born and raised in California’s rural Central Valley\, where her family’s Native American heritage and work as migrant farmers greatly influenced her passion for social justice. The arts became an integral part of her life and worked as a coping mechanism for the poverty and instability surrounding her. \nBarbara is an artist\, activist\, curator\, consultant\, and Indigenous Narrative Shifter; she uses the arts to challenge inaccurate and outdated perceptions of Indigenous Peoples and other marginalized communities. She views the arts as a powerful and effective tool for survival and an instrument to unite communities and move public policy. \n \nKim Shuck (Cherokee) is the 7TH Poet Laureate of San Francisco Emerita and a silly protein. She has been making textiles well before she was in school\, and thinks of the textile process as a first language. Kim has an MFA in textiles from San Francisco State University\, and in Indigenous circles\, her beadwork is celebrated across the country. Many of the pieces shown here represent endangered and extinct biota from places that are important to her. \nCreative Work Fund has supported many of Kim’s pieces in this exhibition.
URL:https://oacc.cc/event/preciousbeings/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Featured,Past Exhibitions
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ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
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DTSTART;TZID=America/Los_Angeles:20250130T120000
DTEND;TZID=America/Los_Angeles:20250501T170000
DTSTAMP:20260409T162251
CREATED:20250127T230357Z
LAST-MODIFIED:20250904T211915Z
UID:20701-1738238400-1746118800@oacc.cc
SUMMARY:From Chinatown to West Oakland: Community Portraits of Healing
DESCRIPTION:From Chinatown to West Oakland: Community Portraits of Healing\n  \nExhibition Dates:\nJan. 30\, 2025 – May 1\, 2025\n“There is actually a collective historical trauma that we hold\, and we carry… and that we are also trying to recognize and heal for our future generations…”  \n  \nIn this new photo exhibition titled From Chinatown to West Oakland: Community Portraits of Healing\, Oakland community members share their experiences of pain and trauma\, as well as their expressions of hope and humanity. \n  \nJoin Asian Health Services and Baywell Health on Friday\, February 21\, 2025\, for the opening reception of their new photo exhibition based on the Asian-Black Racial Healing Project. The two community health centers launched this project in 2021 in response to the heightened violence experienced by both communities. Over 1\,000 Asian and Black Oakland community members engaged in interviews and delved into conversations on race\, violence\, and healing. This exhibition and event celebrates our communities and our collective desire for connection\, safety\, and healing across cultures. \n\nRegister for the opening reception\n \nAbout Asian Health Services\nAsian Health Services\, founded in 1974\, provides health\, social\, and advocacy services for all\, regardless of income\, insurance status\, immigration status\, language\, or culture. Their approach to well-being focuses on “whole patient health\,” which is why they provide not just primary care services but include mental health\, case management\, nutrition\, and dental care to more than 50\,000 patients in English and 15 languages. \n  \nWebsite: https://asianhealthservices.org/our-mission/ \nAbout Baywell Health\nFounded by four African-American mothers fifty years ago amid the Civil Rights and Black Power movements\, Baywell Health’s mission is to improve the health and well-being of its communities by providing the highest quality of health care and treatment for its diverse patient population throughout Alameda County.  Each clinic’s health center strives to be a hub for health\, compassion\, engagement\, and inspiration. \n  \nWebsite: https://westoaklandhealth.org/
URL:https://oacc.cc/event/from-chinatown-to-west-oakland-community-portraits-of-healing/
LOCATION:Oakland Asian Cultural Center\, 388 9th St. #290\, Oakland\, CA\, 94607\, United States
CATEGORIES:Past Exhibitions
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ORGANIZER;CN="Oakland Asian Cultural Center":MAILTO:programs@oacc.cc
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